The Description of the Four Durgā Mantras
प्रविन्यसेद्य धापूर्व भृगुर्व्योमाग्निसंस्थितः । सद्यादिपञ्चह्रस्वाद्या बीजमेषां प्रकीर्तितम् ॥ ५१ ॥
pravinyasedya dhāpūrva bhṛgurvyomāgnisaṃsthitaḥ | sadyādipañcahrasvādyā bījameṣāṃ prakīrtitam || 51 ||
Qu’on dispose ces sons/unités dans l’ordre requis, en commençant par « dhā » ; puis que le groupe « Bhṛgu » soit placé dans les stations de l’espace et du feu. Les bīja-syllabes de ceux-ci sont déclarées être les cinq commençant par « sadya », ainsi que celles commençant par les voyelles brèves.
Sanatkumara (teaching Narada in a Vedanga/technical instruction context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It treats mantra-technology as a sacred discipline: correct sequencing and placement of syllables (with defined bīja-forms) is presented as essential for a mantra’s efficacy and purity in Vedic practice.
Bhakti here is supported by precision in sacred speech—devotion is not only emotion but also disciplined recitation and correct mantra-structure, aligning the practitioner with Vedic order (ṛta).
Shiksha/Vedanga phonetics: it emphasizes ordered arrangement of syllables, the use of bīja-syllables, and technical vowel classes (hrasva) connected with ritual/elemental placements such as agni and vyoma.