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Narada Purana — Purva Bhaga, Shloka 101

The Description of the Four Durgā Mantras

श्रीमातंगेश्वरि वदेत्सर्वजनमनोहरि । सर्वादिसुखराज्यंते सर्वादिसुखरंजनी ॥ १०१ ॥

śrīmātaṃgeśvari vadetsarvajanamanohari | sarvādisukharājyaṃte sarvādisukharaṃjanī || 101 ||

Qu’on prononce : « Ô Śrī Mātaṅgeśvarī, enchanteresse des cœurs de tous ; dispensatrice de toute félicité, accordant souveraineté et accomplissement ; toi qui réjouis toutes les joies. »

श्री-मातङ्ग-ईश्वरिO auspicious Lady, Mistress of Mātaṅga
श्री-मातङ्ग-ईश्वरि:
Sambodhana (सम्बोधन)
TypeNoun
Rootश्री (प्रातिपदिक) + मातङ्ग (प्रातिपदिक) + ईश्वरि (प्रातिपदिक)
Formस्त्रीलिङ्ग, सम्बोधन, एकवचन; तत्पुरुषः (मातङ्गस्य ईश्वरि; श्री-उपपद-विशेषण)
वदेत्should say/recite
वदेत्:
Kriya (क्रिया)
TypeVerb
Rootवद् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपद
सर्व-जन-मनः-हरिO enchantress of all people’s minds
सर्व-जन-मनः-हरि:
Sambodhana (सम्बोधन)
TypeNoun
Rootसर्व (प्रातिपदिक) + जन (प्रातिपदिक) + मनस् (प्रातिपदिक) + हरि (प्रातिपदिक)
Formस्त्रीलिङ्ग, सम्बोधन, एकवचन; तत्पुरुषः (सर्वजनानां मनः हरति या)
सर्व-आदि-सुख-राज्यम्sovereignty of all kinds of happiness
सर्व-आदि-सुख-राज्यम्:
Karma (कर्म)
TypeNoun
Rootसर्व (प्रातिपदिक) + आदि (प्रातिपदिक) + सुख (प्रातिपदिक) + राज्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; तत्पुरुषः (सर्वादि-सुखं यत्र तत् राज्यं / सुखस्य राज्यं)
तेto you
ते:
Sampradana (सम्प्रदान)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formचतुर्थी (4th/Dative), एकवचन; ‘to you’
सर्व-आदि-सुख-रञ्जनीO bestower/delighter of all kinds of happiness
सर्व-आदि-सुख-रञ्जनी:
Sambodhana (सम्बोधन)
TypeNoun
Rootसर्व (प्रातिपदिक) + आदि (प्रातिपदिक) + सुख (प्रातिपदिक) + रञ्जनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, सम्बोधन/प्रथमा, एकवचन; तत्पुरुषः (सर्वादि-सुखेन रञ्जयति या / सर्वादि-सुखं रञ्जयति या)

Sanatkumara (teaching Narada the recitation of Devī-nāmas/mantra-style epithets)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: shanta

M
Mātaṅgeśvarī (Devī)

FAQs

It presents a mantra-like injunction—“one should utter”—framing Devī as the power that captivates the mind toward auspiciousness and ripens worldly happiness into fulfilled well-being.

Bhakti appears here as nāma-ucchāraṇa (devotional utterance of divine names): the devotee approaches the Devī through praising epithets that focus the mind and cultivate reverence and reliance on divine grace.

The practical takeaway is mantra-prayoga: correct, intentional recitation (vadet) of structured epithets—an applied use of śabda (language) aligned with Vyākaraṇa/Chandas sensibilities even within a Purāṇic setting.