Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
जयादिनवशक्तयाढ्ये पीठे पूजा समीरिता । त्रिकोणा वेदपत्राष्टपत्रषोडशपत्रके ॥ ७० ॥
jayādinavaśaktayāḍhye pīṭhe pūjā samīritā | trikoṇā vedapatrāṣṭapatraṣoḍaśapatrake || 70 ||
Le culte est prescrit sur un piédestal (pīṭha) enrichi des neuf śakti commençant par Jayā ; ce pīṭha est façonné en triangle et formé de séries de pétales semblables au lotus : les « pétales védiques », l’octopétale et le seizième-pétale.
Sanatkumara (in instruction to Narada, within the Vedanga/ritual-technical discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames worship as a disciplined, diagram-based sādhana: the deity is approached through a consecrated pīṭha structured by śakti (power) principles and precise geometric/petalled formations, emphasizing order, purity, and focused contemplation.
Bhakti here is expressed through carefully arranged ārādhana—devotion made steady by ritual structure (pīṭha, triangle, petal-cakras), so the mind remains one-pointed while honoring the divine powers (śaktis) that support worship.
It highlights ritual-technical know-how: constructing the worship base (pīṭha) with defined geometry and lotus-petal counts (8 and 16), reflecting applied kalpa-style procedure and mantra-ritual organization used in formal pūjā.