The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
दक्षिणे चक्रपद्मे च परशुं पाशमेव च । हलं च मुशलं चैव अभयं चाङ्कुशं तथा ॥ ६३ ॥
dakṣiṇe cakrapadme ca paraśuṃ pāśameva ca | halaṃ ca muśalaṃ caiva abhayaṃ cāṅkuśaṃ tathā || 63 ||
Dans les mains droites se trouvent le disque (cakra) et le lotus; aussi la hache (paraśu) et le lacet (pāśa); de même la charrue (hala) et le pilon (muśala); ainsi que le geste d’absence de crainte (abhaya) et l’aiguillon (aṅkuśa).
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches proper visualization of the Lord’s attributes (āyudha and mudrā), so worship is aligned with śāstra and the mind becomes steady in devotion through a correct sacred form.
By listing the Lord’s emblems—discus, lotus, and other implements—it supports bhakti through dhyāna and pūjā, where remembering the Lord’s protecting and guiding powers deepens surrender.
It reflects a technical, śāstra-based approach to ritual practice (pūjā-vidhi and dhyāna-lakṣaṇa)—a practical application of auxiliary disciplines used to perform worship correctly.