The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
कपोलकर्णमूले च चिबुकोर्द्ध्वाधरोष्ठके । कण्ठे घोणे च भुजयोर्हृत्तनौ नाभिमण्डले ॥ २२ ॥
kapolakarṇamūle ca cibukorddhvādharoṣṭhake | kaṇṭhe ghoṇe ca bhujayorhṛttanau nābhimaṇḍale || 22 ||
Sur la joue et à la racine de l’oreille; sur le menton et les lèvres supérieure et inférieure; sur la gorge et le nez; sur les deux bras; dans la région du cœur; et sur la taille fine et le cercle du nombril—tels sont les points indiqués.
Sanatkumara (in dialogue with Narada, within Vedanga-Shiksha instruction)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined, embodied precision in sacred recitation—linking specific bodily regions to the practitioner’s awareness so that mantra-ucchāraṇa (utterance) remains controlled, pure, and effective in ritual and study.
While not a direct bhakti verse, it supports bhakti practice by safeguarding mantra integrity: accurate chanting and attentive bodily discipline are presented as practical foundations for worship, japa, and ritual offerings.
Vedāṅga-Śikṣā: attention to pronunciation mechanics and recitation discipline, using enumerated bodily points as a technical aid for correct chanting and controlled vocal production.