The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
क्षौं नृसिंहरूपधारिन् ॐ क्लं श्लश्च स्वरादिकः । ष्टाङ्गविन्यासविन्यस्तमूर्तिधारिंस्ततश्च फट् ॥ २०० ॥
kṣauṃ nṛsiṃharūpadhārin oṃ klaṃ ślaśca svarādikaḥ | ṣṭāṅgavinyāsavinyastamūrtidhāriṃstataśca phaṭ || 200 ||
« kṣauṁ—ô Toi qui portes la forme de Nṛsiṃha; oṁ; klaṁ; śla »—en commençant par les voyelles. Ainsi la Divinité dont la forme est établie par le nyāsa aux six membres; puis l’on prononce « phaṭ ».
Sanatkumara (teaching Nārada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It encodes a protective Nṛsiṃha invocation using bīja-syllables and nyāsa, indicating that devotion is strengthened by disciplined mantra-vidhi and inner installation of the deity’s form.
Bhakti here is expressed as focused remembrance and invocation of Nṛsiṃha, supported by ritual precision (nyāsa and seed-syllables) so the devotee’s body-mind becomes a seat of Viṣṇu’s presence.
Śikṣā (phonetics) is implied by “svarādikaḥ” (vowel-based sequence) and correct utterance of mantra-syllables; ritual application is shown through ṣaḍaṅga/‘six-limbed’ nyāsa and the use of “phaṭ” for protection.