The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
मूर्ते नृसिंहशब्दान्ते महापुरुष ईरयेत् । प्रधानधर्माधर्मान्ते निगडेतिपदं वदेत् ॥ १६३ ॥
mūrte nṛsiṃhaśabdānte mahāpuruṣa īrayet | pradhānadharmādharmānte nigaḍetipadaṃ vadet || 163 ||
À la fin du mot « mūrti », qu’on prononce « nṛsiṃha » ; à la fin de « nṛsiṃha », qu’on dise « mahāpuruṣa ». Et à la fin de la suite « pradhāna–dharma–adharma », qu’on énonce le mot « nigaḍeti ».
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It gives a precise rule for placing and uttering specific divine epithets (Nṛsiṃha, Mahāpuruṣa) within a recitation sequence, showing that correct formulation and sound-order are treated as spiritually efficacious in Vedic-technical practice.
By prescribing the invocation of Nṛsiṃha and Mahāpuruṣa, it frames devotion as disciplined remembrance through correctly spoken names—bhakti expressed via exact mantra-style recitation rather than only emotion.
It reflects Vedāṅga concerns—especially Śikṣā (pronunciation) and Vyākaraṇa/pada-usage—by specifying where particular words should be appended/uttered in a recitation sequence.