The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
ततो ध्यायेद्धृदि विभुं नृसिंहं चन्द्र शेखरम् ॥ १३३ ॥
tato dhyāyeddhṛdi vibhuṃ nṛsiṃhaṃ candra śekharam || 133 ||
Ensuite, qu’on médite dans le cœur sur le Seigneur qui pénètre tout—Nṛsiṁha—portant la lune au sommet de sa tête.
Sanatkumara (teaching to Narada in the Vedanga-oriented section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It directs the practitioner to internalize worship by meditating on the Lord in the heart, presenting Nṛsiṁha as the all-pervading protector and the immediate object of dhyāna for spiritual steadiness and liberation-oriented devotion.
Bhakti is expressed here as intimate, inward contemplation: the devotee turns from external action to heart-centered remembrance (dhyāna) of the Lord’s form and presence, strengthening single-pointed devotion.
The verse points to dhyāna as a disciplined application of mantra-and-visualization practice; in Vedanga-oriented contexts this aligns with correct recitation/usage (linked with Śikṣā and Vyākaraṇa traditions) and focused ritual mental procedure (upāsanā-vidhi).