Narada Purana — Purva Bhaga, Shloka 102
The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
हरिर्विनाशनायान्ते सर्वज्वरविनाशनः । नामान्ते दहयुग्मं च पचद्वयमुदीरयेत् ॥ १०२ ॥
harirvināśanāyānte sarvajvaravināśanaḥ | nāmānte dahayugmaṃ ca pacadvayamudīrayet || 102 ||
À la fin, on doit prononcer « Hari » pour la destruction ; Lui est le destructeur de toutes les fièvres. Et à la fin du Nom, qu’on énonce la paire « daha » (brûle, brûle) et le double « paca » (cuis, cuis).
Narada (instructional narration within a technical mantra-prayoga section, transmitted in the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: vira
Secondary Rasa: bhakti
FAQs
It presents a practical mantra-prayoga where invoking Hari (Vishnu) is treated as the supreme remover of afflictions, especially jvara (fever), showing that divine Name and focused utterance are linked with protection and alleviation.
Bhakti is expressed as Hari-nāma-centered reliance: the devotee places the cure and protection in Hari’s power, making remembrance and recitation of the divine Name the core devotional act.
It highlights mantra-prayoga and precise recitation technique—how specific seed-like imperatives (“daha… paca…”) are appended to a divine Name-formula—reflecting applied phonetic/ritual discipline associated with Vedanga-style technical practice.