Matsya Purana — The Strategy to Defeat Tāraka: Pārvatī’s Birth, Shloka 93

Devanagari script

गाढकण्ठग्रहालग्नसुभगेष्टजने ततः किंचिदाकुलतां प्राप्ते मेनानेत्राम्बुजद्वये //

Transliteration

gāḍhakaṇṭhagrahālagnasubhageṣṭajane tataḥ kiṃcidākulatāṃ prāpte menānetrāmbujadvaye //

Translation

Alors, lorsque son bien-aimé, cher et fortuné, s’attacha étroitement à son cou, les deux yeux de Menā, pareils à des lotus, s’agitèrent légèrement—se gonflant d’émotion.

Word by Word

• गाढ (gāḍha): tight, firm

• कण्ठ (kaṇṭha): neck

• ग्रह (graha): grasp, clasp

• आलग्न (ālagna): attached, clinging

• सुभग (subhaga): fortunate, lovely

• इष्टजन (iṣṭajana): beloved person, dear one

• ततः (tataḥ): then, thereafter

• किंचित् (kiṃcit): slightly, a little

• आकुलता (ākulatā): agitation, emotional trembling

• प्राप्ते (prāpte): having arisen, having come

• मेना (menā): Menā (wife of Himālaya)

• नेत्र (netra): eye

• अम्बुज (ambuja): lotus

• द्वय (dvaya): pair, two.

Speaker

• Narrator (Purāṇic storyteller, in Sūta-style narration)

Entities Mentioned

• Menā

Tags

• Himalaya narrative
• Emotion
• Family episode
• Puranic storytelling
• Devotional aesthetics

FAQs

What does this verse reveal about the creation or dissolution (Pralaya)?

This verse does not address pralaya or cosmology; it is a poetic narrative moment describing Menā’s emotional reaction through the “lotus-eyed” motif.

How does this verse relate to the duties of a King or Householder?

Indirectly, it reflects household (gṛhastha) life—attachment, affection, and the tender emotional bonds within family—rather than explicit rājadharma instruction.

What is the architectural or ritual significance mentioned here?

No Vāstu, temple-building, iconography, or ritual procedure is mentioned; the verse is purely narrative and aesthetic (rasa) in tone.