Adhyaya 77 — Sanjna’s Withdrawal from Surya: The Birth of Yama and Yamuna, and the Emergence of Chhaya
इत्युक्ता सा तदा देवी जगाम भवनं पितुः ।
ददर्श तत्र त्वष्टारं तपसा धूतकल्मषम् ॥
ityuktā sā tadā devī jagāma bhavanaṃ pituḥ / dadarśa tatra tvaṣṭāraṃ tapasā dhūtakalmaṣam
Ainsi interpellée, la déesse (Saṃjñā) se rendit alors dans la demeure de son père. Là, elle vit Tvaṣṭṛ, dont les impuretés avaient été lavées par l’austérité.
{ "primaryRasa": "shanta", "secondaryRasa": "karuna", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Tapas is presented as a purifier even for exalted beings; spiritual discipline is the means by which inner ‘stains’ are removed.
Falls under vaṃśānucarita-style mythic biography (narrated lives of divine lineages), though not a formal genealogy list here.
Tvaṣṭṛ/Viśvakarman symbolizes the ‘fashioner’ principle—through tapas, the maker refashions the self into purity.