Shloka 19
Adhyaya 64 — Kalavati (Vibhavari) Offers Herself and the Padmini Vidya to Svarocisha
जग्राह च ततः पाणी स तयोऽमरद्युतिः ।
नदत्सु देवतूर्येषु नृत्यन्तीष्वप्सरः सु च ॥
jagrāha ca tataḥ pāṇī sa tayor amaradyutiḥ / nadatsu devatūryeṣu nṛtyantīṣv apsaraḥsu ca
Alors cet être céleste rayonnant prit leurs mains en mariage, tandis que retentissaient les instruments divins et que les Apsaras dansaient.
FAQs
Ritual publicness (music, witnesses) functions as dharmic validation; private desire is integrated into social-cosmic order through rite.
Manvantara narrative: depicts dharma-in-action within a time-cycle, rather than sarga/pratisarga.
The ‘resounding instruments’ and ‘dancing apsarases’ encode the idea that when order is established, the subtle worlds ‘resonate’—harmony is both social and cosmic.