Kārttikeya-Abhiṣecana: Mātṛgaṇa-Nāma Saṃkīrtana and Skanda’s Commission
परिश्रुत: कोकनद: प्रियमाल्यानुलेपन: । अजोदरो गजशिरा: स्कन्धाक्ष: शतलोचन:
pariśrutaḥ kokanadaḥ priyamālyānulepanaḥ | ajodaro gajaśirāḥ skandhākṣaḥ śatalocanaḥ ||
Vaiśampāyana dit : « Il était renommé au loin comme au près ; rayonnant tel le lotus kokanada ; épris de guirlandes chéries et d’onguents parfumés. Son ventre était ferme et ramassé ; sa tête, pareille à celle d’un éléphant ; ses épaules et ses yeux, pleins de puissance ; et on l’appelait “Cent-Yeux”, tant son regard, prodigieux, inspirait la crainte. »
वैशम्पायन उवाच
The verse is primarily descriptive rather than didactic: it shows how epic poetry uses epithets—fame, beauty, strength, and awe—to frame a warrior’s presence. Ethically, it reminds readers that in war, reputation and outward splendor amplify both glory and responsibility, intensifying the moral stakes of violent action.
Vaiśampāyana is listing a sequence of laudatory epithets describing a formidable figure in the Shalya Parva war context. The focus is on physical majesty (lotus-like radiance, elephant-like head, powerful shoulders/eyes) and courtly refinement (garlands and perfumes), building an image of a celebrated, intimidating warrior.