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Shloka 121

इति श्रीमहाभारते द्रोणपर्वणि जयद्रथवधपर्वणि सात्यकिकप्रवेशे एकविंशत्यधिकशततमो<ध्याय:

iti śrīmahābhārate droṇaparvaṇi jayadrathavadhaparvaṇi sātyakikapraveśe ekaviṁśatyadhikaśatatamo 'dhyāyaḥ

Ainsi, dans le Śrī Mahābhārata, au sein du Droṇa Parva—plus précisément dans la section consacrée au meurtre de Jayadratha—s’achève le cent vingt et unième chapitre, ayant pour thème l’entrée de Sātyaki (dans le dispositif de bataille). En guise de colophon, il marque une transition du récit guerrier : il clôt une unité d’action et fait peser la charge morale des événements à venir, liés à la vengeance, au devoir (dharma) et au coût sans cesse croissant de la guerre.

इतिthus; end-quote marker
इति:
TypeIndeclinable
Rootइति
श्रीमहाभारतेin the auspicious Mahabharata
श्रीमहाभारते:
Adhikarana
TypeNoun
Rootश्रीमहाभारत
FormNeuter, Locative, Singular
द्रोणपर्वणिin the Drona Parva
द्रोणपर्वणि:
Adhikarana
TypeNoun
Rootद्रोणपर्वन्
FormNeuter, Locative, Singular
जयद्रथवधपर्वणिin the Jayadratha-slaying sub-parva
जयद्रथवधपर्वणि:
Adhikarana
TypeNoun
Rootजयद्रथवधपर्वन्
FormNeuter, Locative, Singular
सात्यकिकप्रवेशेin (the section called) 'Satyaki's entry'
सात्यकिकप्रवेशे:
Adhikarana
TypeNoun
Rootसात्यकिकप्रवेश
FormMasculine, Locative, Singular
एकविंशत्यधिकशततमःthe one-hundred-and-twenty-first
एकविंशत्यधिकशततमः:
Karta
TypeAdjective
Rootएकविंशत्यधिकशततम
FormMasculine, Nominative, Singular
अध्यायःchapter
अध्यायः:
Karta
TypeNoun
Rootअध्याय
FormMasculine, Nominative, Singular

संजय उवाच

M
Mahābhārata
D
Droṇa Parva
J
Jayadratha
S
Sātyaki

Educational Q&A

As a colophon rather than a didactic verse, it teaches indirectly: actions in war are organized into accountable narrative units, and each completed episode carries ethical residue—duty pursued through violence (especially vengeance-driven duty) advances the plot but also deepens the moral gravity of the conflict.

This line marks the formal close of a chapter in the Droṇa Parva, within the Jayadratha-slaying sequence, identifying the chapter’s focus as Sātyaki’s entry/advance. It functions as an editorial/narrative boundary rather than describing a new action.