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Shloka 92

सुवर्णवर्णो हेमाड़ो वराड्रश्वन्दनाड़दी | वीरहा विषम: शून्यो घृताशीरचलश्चल:

Bhīṣma uvāca: suvarṇavarṇo hemāṇḍo varāṅgaś candanāṅgadī | vīrahā viṣamaḥ śūnyo ghṛtāśīr acalaś calaḥ ||

Bhīṣma dit : « Il est d’une teinte d’or, rayonnant comme l’or, pourvu de membres d’une perfection souveraine, et paré de pâte de santal et de bracelets. Il est le pourfendeur des ennemis valeureux, sans égal, et pourtant au-delà de toute description qui limite. Il est plein de tendresse envers ceux qui cherchent refuge, inébranlable dans sa résolution, et aussi prompt : il se répand partout comme le vent ».

सुवर्णवर्णःgolden-colored
सुवर्णवर्णः:
Karta
TypeAdjective
Rootसुवर्णवर्ण
FormMasculine, Nominative, Singular
हेमाङ्गःhaving golden limbs
हेमाङ्गः:
Karta
TypeAdjective
Rootहेमाङ्ग
FormMasculine, Nominative, Singular
वराङ्गःhaving excellent limbs
वराङ्गः:
Karta
TypeAdjective
Rootवराङ्ग
FormMasculine, Nominative, Singular
चन्दनाङ्गदीadorned with sandal(-paste) and armlets
चन्दनाङ्गदी:
Karta
TypeAdjective
Rootचन्दनाङ्गदी
FormMasculine, Nominative, Singular
वीरहाslayer of heroes
वीरहा:
Karta
TypeAdjective
Rootवीरहन्
FormMasculine, Nominative, Singular
विषमःunequalled; incomparable
विषमः:
Karta
TypeAdjective
Rootविषम
FormMasculine, Nominative, Singular
शून्यःvoid; devoid (of attributes)
शून्यः:
Karta
TypeAdjective
Rootशून्य
FormMasculine, Nominative, Singular
घृताशीःhaving ghee as food/oblation; ghee-eating
घृताशीः:
Karta
TypeAdjective
Rootघृताशी
FormMasculine, Nominative, Singular
अचलःimmovable; unwavering
अचलः:
Karta
TypeAdjective
Rootअचल
FormMasculine, Nominative, Singular
चलःmoving; mobile
चलः:
Karta
TypeAdjective
Rootचल
FormMasculine, Nominative, Singular

भीष्म उवाच

B
Bhishma

Educational Q&A

The verse teaches that the highest divine reality can be described through many epithets, including apparent opposites: compassionate yet a destroyer of evil, unmoving in essence yet moving everywhere in power. This frames dharma as protected by a deity who is both transcendent (beyond limiting description) and immanent (present and active in the world).

Bhishma is reciting a sequence of laudatory names/qualities (a stotra-like passage) describing the supreme deity’s form, ornaments, power, and metaphysical nature. The verse functions as part of a larger praise-list meant to inspire devotion and convey the deity’s role as protector and moral governor.