अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
विटपनिचयलीनं नीलकण्ठाभिरामं मदमुदितविहङ्गं प्राप्तनादाभिरामम् कुसुमिततरुशाखालीनमत्तद्विरेफं नवकिसलयशोभाशोभितं प्रांशुशाखम्
viṭapanicayalīnaṃ nīlakaṇṭhābhirāmaṃ madamuditavihaṅgaṃ prāptanādābhirāmam kusumitataruśākhālīnamattadvirephaṃ navakisalayaśobhāśobhitaṃ prāṃśuśākham
Ce bosquet était enveloppé de massifs d’arbres, charmant par la présence du Seigneur à la Gorge Bleue (Nīlakaṇṭha), Śiva. Des oiseaux, dans l’allégresse, l’emplissaient d’appels mélodieux. Sur les branches fleuries, des abeilles enivrées s’agrippaient en bourdonnant; et les hautes ramures luisaient, embellies par l’éclat des jeunes pousses nouvelles—un bois de bon augure, digne du culte du Pati, le Seigneur qui desserre le pāśa (lien) du paśu (âme).
Suta Goswami
The verse sacralizes the setting of worship: the grove’s auspicious sounds, blossoms, and bees signify a purified kṣetra where the pashu approaches Pati through devotion, making the environment itself supportive of liṅga-arcana.
By invoking Nīlakaṇṭha, it points to Shiva’s compassionate mastery over poison and suffering—Pati who remains untouched yet protects beings—whose presence transforms the world into a harmonious field of consciousness.
It implies kṣetra-śuddhi and manas-śuddhi: preparing a pure place and a collected mind through Shiva-smarana and attentive listening (nāda), which aligns with Pāśupata orientation toward inner stillness and devotion.