शिवार्चनविधिः — देवतानां पाशुपतव्रतप्राप्तिः तथा पशुपाशविमोक्षणम् (अध्याय ८०)
देस्च्रिप्तिओन् ओफ़् म्त्। मेरु सकलदुरितहीनं सर्वदं भोगमुख्यं मुदितकुररवृन्दं नादितं नागवृन्दैः मधुररणितगीतं सानुकूलान्धकारं पदरचितवनान्तं कान्तवातान्ततोयम्
description of Mt. Meru sakaladuritahīnaṃ sarvadaṃ bhogamukhyaṃ muditakuraravṛndaṃ nāditaṃ nāgavṛndaiḥ madhuraraṇitagītaṃ sānukūlāndhakāraṃ padaracitavanāntaṃ kāntavātāntatoyam
Le mont Meru est sans aucune souillure de faute; il accorde toute réussite et se montre le premier à dispenser des jouissances nobles. Il résonne des volées d’oiseaux joyeux et reçoit l’écho des cohortes de nāgas. Le chant y est doux et clair; l’ombre, délicieusement fraîche. Ses clairières sont parcourues de sentiers bien foulés, et il est embelli de brises aimables et d’eaux vivifiantes.
Suta Goswami (narrating to the sages of Naimisharanya)
By portraying Meru as “free from all durita” and as a giver of all attainments, the verse frames sacred space as a purifier of the pashu (bound soul) and a support for Shiva-oriented worship, where merit, clarity, and auspicious conditions aid devotion to the Pati (Lord).
Indirectly: Meru’s sinless, boon-bestowing, harmoniously resonant environment mirrors Shiva-tattva as purity (nirmalatā) and anugraha (grace) that removes pasha (bondage) and grants both worldly well-being and higher auspiciousness when approached with right orientation.
The verse emphasizes the yogic prerequisite of a sattvic, purified setting—cool shade, calm waters, and sacred resonance—supportive of japa, dhyāna, and Pashupata-style inner discipline aimed at loosening pasha and turning the pashu toward Pati.