Adhyaya 4: अहोरात्र-युग-मन्वन्तर-कल्पमान तथा प्रलयान्ते सृष्ट्युपक्रमः
मनः सुदर्शो बृंहश् च तथा वै श्वेतलोहितः रक्तश् च पीतवासाश् च असितः सर्वरूपकः
manaḥ sudarśo bṛṃhaś ca tathā vai śvetalohitaḥ raktaś ca pītavāsāś ca asitaḥ sarvarūpakaḥ
Il est le Mental lui‑même; Il est Celui dont la vision est auspicious; Il est le Vaste, l’Expansif. Il est le Seigneur aux teintes blanc‑rouge; Il est rouge; Il est vêtu de jaune; Il est sombre, insondable—en vérité, Il assume toutes les formes. Ainsi Pati, Śiva qui pénètre tout, est décrit par Ses multiples apparitions, tout en demeurant au‑delà de tout attribut limitant.
Suta Goswami (narrating the Linga Purana’s account to the sages of Naimisharanya)
It supports Linga-upasana by teaching that the one Shiva (Pati) can be approached through many sacred forms and visualizations—color, garment, and appearance—while the Linga signifies His formless, all-containing reality.
Shiva is presented as sarvarūpaka—assuming all forms—yet also identified with manaḥ (the inner principle), indicating His immanence as consciousness while remaining beyond limiting attributes that bind the pashu.
A contemplative practice: meditate on Shiva as the indwelling mind and as the Lord manifesting in diverse forms, using such dhyana during Linga-puja to loosen pasha (bondage) and orient the pashu toward Pati.