Madhu–Kaiṭabha, Nārāyaṇa’s Yoga-Nidrā, Rudra’s Manifestation, and the Aṣṭamūrti–Trimūrti Teaching
कपर्दिनो निरातङ्कान् नीलकण्ठान् पिनाकिनः / त्रिशूलहस्तानृष्टिघ्नान् महानन्दांस्त्रिलोचनान्
kapardino nirātaṅkān nīlakaṇṭhān pinākinaḥ / triśūlahastānṛṣṭighnān mahānandāṃstrilocanān
J’adore ces Seigneurs aux cheveux nattés—sans crainte et exempts de toute affliction—à la gorge bleue, portant l’arc Pināka ; tenant le trident en main, destructeurs des forces ennemies, demeurant à jamais dans la grande béatitude, et pourvus de trois yeux.
Lord Kurma (Vishnu) presenting Shaiva epithets in a synthetic Shaiva-Vaishnava praise
Primary Rasa: vira
Secondary Rasa: adbhuta
By describing Rudra as “mahānanda” (great bliss) and “nirātaṅka” (untroubled), the verse points to the Supreme as untouched by fear and suffering—an indicator of the Self’s intrinsic freedom and bliss when realized.
The verse functions as a dhyāna-stotra: contemplating Śiva’s marks (nīlakaṇṭha, trilocana, triśūla, pināka) steadies attention and supports one-pointed devotion (bhakti) and inner recollection (smṛti), aligned with Pāśupata-oriented worship and mantra-based meditation in the Kurma Purana’s Shaiva framework.
With Vishnu (as Lord Kūrma) voicing Śiva’s praise, the Purana presents a harmonizing vision: devotion to Rudra is not opposed to Vishnu-bhakti but integrated as reverence to the one Ishvara expressed through complementary forms.