Shloka 19
Sagarapratijñāpālana (Fulfilment of Sagara’s Vow) — Keśinī-vivāha and Royal Return
Devanagari script
बधिरीकृतदिक्चक्रो जयशब्देन भूरिणा / नानावादित्रसंघोषमिश्रेण मधुरेण च
Transliteration
badhirīkṛtadikcakro jayaśabdena bhūriṇā / nānāvāditrasaṃghoṣamiśreṇa madhureṇa ca
Translation
Sous l’abondance des cris de « jaya ! », les directions semblaient assourdies; et résonnait, doux et mêlé, le tumulte de maints instruments.
Word by Word
badhirīkṛta-dik-cakraḥdeafening the quarters
badhirīkṛta-dik-cakraḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootbadhirī-kṛta (कृदन्त from √kṛ) + dik + cakra (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (प्रथमा) singular (एकवचन); bahuvrīhi: 'whose directions-circle (all quarters) has been made deafened' i.e., 'deafening all directions'
jaya-śabdenawith the cry 'Victory!'
jaya-śabdena:
Karaṇa (करण)
TypeNoun
Rootjaya + śabda (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया) singular (एकवचन); tatpuruṣa: 'sound/cry of victory'
bhūriṇāabundantly/loudly
bhūriṇā:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeAdjective
Rootbhūri (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (तृतीया) singular (एकवचन); used adverbially: 'in abundance/greatly'
nānā-vāditra-saṃghoṣa-miśreṇamixed with the clamor of various instruments
nānā-vāditra-saṃghoṣa-miśreṇa:
Karaṇa (करण)
TypeAdjective
Rootnānā (अव्यय) + vāditra + saṃghoṣa + miśra (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (तृतीया) singular (एकवचन); tatpuruṣa chain: 'mixed with the din of various instruments'
madhureṇasweet/pleasant
madhureṇa:
Karaṇa (करण)
TypeAdjective
Rootmadhura (प्रातिपदिक)
FormMasculine/Neuter, Instrumental (तृतीया) singular (एकवचन)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormAvyaya (अव्यय), conjunction (समुच्चय)