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Srimad Bhagavatam — Dvadasha Skandha, Shloka 43

Parīkṣit’s Final Absorption, Takṣaka’s Bite, Janamejaya’s Snake Sacrifice, and the Vedic Sound-Lineage

ततोऽक्षरसमाम्नायमसृजद् भगवानज: । अन्तस्थोष्मस्वरस्पर्शह्रस्वदीर्घादिलक्षणम् ॥ ४३ ॥

tato ’kṣara-samāmnāyam asṛjad bhagavān ajaḥ antasthoṣma-svara-sparśa- hrasva-dīrghādi-lakṣaṇam

De cet oṁkāra, le Bhagavān Brahmā, l’Inengendré, créa l’ensemble des sons de l’alphabet : voyelles, consonnes, semi-voyelles, sifflantes et autres, distingués par des traits tels que la longueur et la brièveté.

tataḥthen
tataḥ:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Roottatas (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb: then/from that)
akṣara-samāmnāyamthe collection of letters
akṣara-samāmnāyam:
Karma (कर्म)
TypeNoun
Rootakṣara (प्रातिपदिक) + samāmnāya (प्रातिपदिक)
Formपुंलिङ्ग (masc.), द्वितीया (Acc. 2), एकवचन (sg.); समासः—तत्पुरुष (collection/recension of syllables)
asṛjatcreated
asṛjat:
Kriyā (क्रिया)
TypeVerb
Rootsṛj (धातु)
Formलङ् (Imperfect/past), परस्मैपदम्, प्रथमपुरुष (3rd), एकवचन (sg.)
bhagavānthe Blessed Lord
bhagavān:
Karta (कर्ता)
TypeNoun
Rootbhagavat (प्रातिपदिक)
Formपुंलिङ्ग (masc.), प्रथमा (Nom. 1), एकवचन (sg.)
ajaḥthe unborn
ajaḥ:
Karta (कर्ता)
TypeNoun
Rootaja (प्रातिपदिक)
Formपुंलिङ्ग (masc.), प्रथमा (Nom. 1), एकवचन (sg.); विशेषणरूपेण (as epithet: unborn)
antastha-uṣma-svara-sparśa-hrasva-dīrgha-ādi-lakṣaṇam(a system) characterized by semivowels, sibilants, vowels, mutes, short/long, etc.
antastha-uṣma-svara-sparśa-hrasva-dīrgha-ādi-lakṣaṇam:
Karma (कर्म)
TypeNoun
Rootantastha (प्रातिपदिक) + uṣma (प्रातिपदिक) + svara (प्रातिपदिक) + sparśa (प्रातिपदिक) + hrasva (प्रातिपदिक) + dīrgha (प्रातिपदिक) + ādi (प्रातिपदिक) + lakṣaṇa (प्रातिपदिक)
Formनपुंसकलिङ्ग (neut.), द्वितीया (Acc. 2), एकवचन (sg.); बहुपद-तत्पुरुष (having the characteristics such as semivowels, sibilants, vowels, mutes, short/long, etc.)
B
Bhagavān (the Supreme Lord)

FAQs

This verse explains that the unborn Supreme Lord manifests the ordered system of syllables (akṣara-samāmnāya), categorized into vowels, consonants, semivowels, sibilants, and distinctions like short and long sounds—indicating that sacred sound has a divine origin.

Śukadeva is presenting a cosmological and philosophical account where creation includes the manifestation of śabda (sound). By describing the structure of letters and pronunciation, he shows how Vedic revelation and articulate speech arise from the Lord’s ordering potency.

It encourages reverence for truthful speech and mindful chanting—especially mantra and nāma-saṅkīrtana—recognizing sound as spiritually potent and meant to connect the mind and heart to the Supreme.