Lakṣmī’s Emergence, Dhanvantari, and the Advent of Mohinī-mūrti
शङ्खतूर्यमृदङ्गानां वादित्राणां पृथु: स्वन: । देवानुगानां सस्त्रीणां नृत्यतां गायतामभूत् ॥ २६ ॥
śaṅkha-tūrya-mṛdaṅgānāṁ vāditrāṇāṁ pṛthuḥ svanaḥ devānugānāṁ sastrīṇāṁ nṛtyatāṁ gāyatām abhūt
Alors retentit au loin le vaste son des instruments, tels la conque, les trompettes et les tambours mṛdaṅga. Les habitants de Gandharvaloka et de Cāraṇaloka se mirent à chanter et à danser avec leurs épouses.
This verse describes conches, trumpets, mṛdaṅgas, and other instruments resounding as the devas’ attendants sing and dance—showing that auspicious sound and music naturally accompany sacred, joyful moments in the Lord’s līlā.
Śukadeva Gosvāmī narrates to King Parīkṣit during the account of Samudra Manthana (churning of the milk ocean), describing the festive rejoicing of the devas’ followers as the divine drama unfolds.
It supports the use of kīrtana—singing, rhythm, and sacred music—as an authentic way to express devotion and to create an uplifting, God-centered atmosphere in personal and community worship.