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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 22

Chapter 92 — प्रतिष्ठाविधिकथनम्

Narration of the Consecration / Installation Procedure

कर्तुश्चाङ्गविकारेण जानीयात्तत्प्रमाणतः पश्वादीनां प्रवेशेन कीर्तनैर् विरुतैर् दिशः

kartuścāṅgavikāreṇa jānīyāttatpramāṇataḥ paśvādīnāṃ praveśena kīrtanair virutair diśaḥ

On doit discerner le résultat à attendre d’après les modifications corporelles de l’officiant, selon les indications établies ; et l’on doit aussi déterminer les directions pertinentes d’après l’entrée des animaux et autres, ainsi que d’après leurs cris, appels et sons.

कर्तुःof the agent/doer
कर्तुः:
Sambandha (सम्बन्ध; षष्ठी)
TypeNoun
Rootकर्तृ (प्रातिपदिक)
Formपुंलिङ्ग; षष्ठी-विभक्ति; एकवचन (Genitive singular: of the doer/agent)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक (and)
अङ्गविकारेणby bodily change/alteration
अङ्गविकारेण:
Karana (करण)
TypeNoun
Rootअङ्ग + विकार (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (अङ्गस्य विकारः); पुंलिङ्ग; तृतीया-विभक्ति; एकवचन (Instrumental singular)
जानीयात्should ascertain
जानीयात्:
Kriyā (क्रिया)
TypeVerb
Rootज्ञा (धातु)
Formविधिलिङ्; परस्मैपद; प्रथमपुरुष; एकवचन (3rd sg: should know/ascertain)
तत्that
तत्:
Karma (कर्म; ज्ञेय)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; नपुंसकलिङ्ग; द्वितीया-विभक्ति; एकवचन (that)
प्रमाणतःaccording to the measure/evidence
प्रमाणतः:
Pramāṇa (प्रमाण; आधार)
TypeIndeclinable
Rootप्रमाणतस् (अव्यय)
Formतसिल्-प्रत्ययान्त अव्यय (ablatival adverb: according to evidence/measure)
पश्वादीनाम्of animals and the like
पश्वादीनाम्:
Sambandha (सम्बन्ध; षष्ठी)
TypeNoun
Rootपशु + आदि (प्रातिपदिक)
Formतत्पुरुष (पश्वादयः); पुंलिङ्ग; षष्ठी-विभक्ति; बहुवचन (Genitive plural: of animals etc.)
प्रवेशेनby (their) entering
प्रवेशेन:
Karana (करण)
TypeNoun
Rootप्रवेश (प्रातिपदिक)
Formपुंलिङ्ग; तृतीया-विभक्ति; एकवचन (Instrumental singular: by entry/approach)
कीर्तनैःby cries/utterances
कीर्तनैः:
Karana (करण)
TypeNoun
Rootकीर्तन (प्रातिपदिक)
Formनपुंसकलिङ्ग; तृतीया-विभक्ति; बहुवचन (Instrumental plural: by sounds/cries/utterances)
विरुतैःby sounds/howls
विरुतैः:
Karana (करण)
TypeNoun
Rootविरुत (प्रातिपदिक)
Formनपुंसकलिङ्ग; तृतीया-विभक्ति; बहुवचन (Instrumental plural: by noises/howlings)
दिशःthe directions (quarters)
दिशः:
Karma (कर्म)
TypeNoun
Rootदिश् (प्रातिपदिक)
Formस्त्रीलिङ्ग; द्वितीया-विभक्ति; बहुवचन (Accusative plural; object of knowing—directions)

Lord Agni (in instruction to Sage Vasiṣṭha, Agni Purana’s standard discourse frame)

Vidya Category: {"primary_vidya":"Jyotisha","secondary_vidya":"Samanya","practical_application":"Reading outcomes and directions through bodily changes of the ritual agent and through animal entry and vocalizations—applied to decision-making in rites, travel, or medical procedures.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Dik-nirṇaya and phala-jñāna from aṅga-vikāra and paśu-śabda (śakuna)","lookup_keywords":["śakuna","aṅga-vikāra","dik-nirṇaya","paśu-praveśa","viruta"],"quick_summary":"Determine expected results from bodily omens of the doer and infer relevant directions from animals’ entry and their cries/sounds, following established omen-correlations."}

Concept: Nimitta-pramāṇa: correlating observable signs (body changes, animal behavior, sounds) with outcomes and spatial direction.

Application: Before initiating an act, observe bodily twitches/changes and environmental animal-signs to choose auspicious direction/timing or to postpone.

Khanda Section: Shakuna-Jyotisha (Omens and augury; nimitta-shastra)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"An augur observes the doer’s bodily signs (twitches/changes) while animals enter from a direction and cry; the observer maps these to directional indications and outcomes.","kerala_mural_prompt":"Kerala mural, seated śakuna-vid with palm-leaf notes, a figure showing subtle bodily twitch, animals (dog, bird) entering from one side, sound-lines indicating calls, directional corner markers, bold outlines.","tanjore_prompt":"Tanjore painting, richly adorned augur with manuscript, gold accents on directional compass motif, animals entering from a highlighted side, stylized sound motifs, ornate border.","mysore_prompt":"Mysore painting, instructional diagram-like scene: compass directions, doer with marked body-points, animals at edges with labeled cries, clean and pedagogic composition.","mughal_miniature_prompt":"Mughal miniature, courtyard scene with astrologer/augur observing a patron, animals and birds entering from a gate, delicate rendering of gestures and attentive faces, subtle directional cues via architecture."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: कर्तुश्चाङ्गविकारेण = कर्तुः + च + अङ्गविकारेण (ः + च → श्च; च + अ → चा). जानीयात्तत्प्रमाणतः = जानीयात् + तत् + प्रमाणतः (त् + त → त्त).

Related Themes: Agni Purana Śakuna-Jyotiṣa chapters on aṅga-phala, śabda-nimitta, and dik-śakuna; Agni Purana Puja-vidhi sections where omens govern continuation/cessation of rites

A
Agni
D
Dik (Directions/quarters)
P
Paśu (animals)

FAQs

It teaches nimitta-jñāna: interpreting outcomes from bodily signs of the person undertaking an act, and inferring directional indications from animals’ entry and their vocalizations.

Alongside theology and ritual, the Agni Purana preserves practical applied sciences like omenology (shakuna/nimitta), giving rule-based methods to assess auspiciousness and situational cues for decision-making.

By acting with attentiveness to auspicious and inauspicious signs, one avoids improper timing or direction in undertakings and rituals, thereby reducing error (doṣa) and supporting dharmic, orderly action.