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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 4

Teaching of the One-Principle

Ekatattva) Initiation (एकतत्त्वदीक्षाकथनम्

प्रददीत ततः पूर्णां तत्त्ववातोपगर्भितां एकयैव यया शिष्यो निर्वाणमधिगच्छति

pradadīta tataḥ pūrṇāṃ tattvavātopagarbhitāṃ ekayaiva yayā śiṣyo nirvāṇamadhigacchati

Ensuite, il doit transmettre l’enseignement complet—imprégné du souffle/vent des véritables tattva—par cette seule méthode grâce à laquelle le disciple parvient au nirvāṇa.

pradadītashould give
pradadīta:
Kriyā (क्रिया)
TypeVerb
Rootpra-√dā (धातु)
FormOptative (विधिलिङ्), Parasmaipada; 3rd Person (प्रथमपुरुष), Singular (एकवचन)
tataḥthen
tataḥ:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Roottataḥ (अव्यय)
FormAvyaya (अव्यय), adverb; ‘then/thereafter’
pūrṇāmcomplete/full
pūrṇām:
Karma (कर्म)
TypeAdjective
Rootpūrṇā (प्रातिपदिक)
FormFeminine, Accusative (2nd/द्वितीया), Singular; qualifying an implied feminine noun (e.g., kalā/vidyā/dīkṣā)
tattva-vāta-upagarbhitāmimbued with tattva-vāta
tattva-vāta-upagarbhitām:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roottattva (प्रातिपदिक) + vāta (प्रातिपदिक) + upa-garbhita (कृदन्त, √garh/√gṛbh sense ‘to contain’)
FormFeminine, Accusative (2nd/द्वितीया), Singular; compound adjective ‘containing/imbued with the breeze (vāta) of tattva’
ekayāby one (alone)
ekayā:
Karaṇa (करण)
TypeAdjective
Rootekā (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular; used with eva as emphasis
evaonly
eva:
Nipāta (निपात/बलवाचक)
TypeIndeclinable
Rooteva (अव्यय)
FormAvyaya (अव्यय), emphatic particle; ‘indeed/only’
yayāby which
yayā:
Karaṇa (करण)
TypeNoun
Rootyad (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular; relative pronoun ‘by which’
śiṣyaḥthe disciple
śiṣyaḥ:
Karta (कर्ता)
TypeNoun
Rootśiṣya (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
nirvāṇamliberation (nirvāṇa)
nirvāṇam:
Karma (कर्म)
TypeNoun
Rootnirvāṇa (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
adhigacchatiattains
adhigacchati:
Kriyā (क्रिया)
TypeVerb
Rootadhi-√gam (धातु)
FormPresent (लट्), Parasmaipada; 3rd Person (प्रथमपुरुष), Singular (एकवचन)

Lord Agni (in dialogue, traditionally instructing sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Tantra","practical_application":"Transmission of a complete tattva-upadeśa in a single, decisive method (eka-upāya) aimed at the disciple’s liberation (nirvāṇa), emphasizing concentrated instruction rather than scattered teachings.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Commentary","entry_title":"Eka-upāya tattva-upadeśa leading to nirvāṇa","lookup_keywords":["tattva-upadeśa","eka-upāya","nirvāṇa","śiṣya","mokṣa-vidyā"],"quick_summary":"After preparatory rites, the teacher imparts a complete, principle-filled instruction through one focused method by which the disciple reaches nirvāṇa."}

Alamkara Type: Rupaka

Concept: Mokṣa arises from complete tattva-jñāna communicated through an integrated upāya; ‘tattva-vāta’ suggests the living ‘breath’/impulse of truth animating the teaching.

Application: In guru-śiṣya pedagogy, prioritize one coherent sādhanā/jñāna-track (rather than many partial methods) and deliver it as a complete map of principles culminating in release.

Khanda Section: Moksha-vidya (Tattva-upadesha / Liberation-oriented instruction)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A guru seated in a quiet āśrama imparts a complete tattva-teaching to a single disciple; the teaching is depicted as a subtle ‘breath of principles’ flowing like a luminous current from teacher to student, culminating in a serene nirvāṇa aura.","kerala_mural_prompt":"Kerala mural, guru and disciple in stylized forest hermitage, flowing white-gold prāṇa-like stream labeled as tattva, calm faces, minimal background, lamp and palm-leaf manuscripts","tanjore_prompt":"Tanjore style, guru on a throne-like seat with halo, disciple kneeling, gold leaf highlighting the ‘single method’ as one radiant path, ornate border, sacred geometry behind them","mysore_prompt":"Mysore painting, didactic layout with a central guru teaching and surrounding small panels of tattvas arranged in order, fine lines, soft colors, manuscript and rosary details","mughal_miniature_prompt":"Mughal miniature, intimate teaching circle in a garden pavilion, delicate flora, the ‘one method’ shown as a single golden line connecting teacher and disciple, refined textiles and faces"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: ekayaiva = ekayā + eva; nirvāṇamadhigacchati = nirvāṇam + adhigacchati.

Related Themes: Agni Purana 89 (ekatattva-dīkṣā: single-principle orientation)

N
Nirvāṇa
Ś
Śiṣya
T
Tattva

FAQs

It emphasizes transmitting a complete tattva-based upadeśa—an integrated, principle-grounded instruction—presented as a single decisive method that leads the disciple to nirvāṇa.

Alongside rituals, governance, and other sciences, the Agni Purana also systematizes liberation-teachings: it frames moksha as teachable knowledge (vidyā) delivered through structured guru–śiṣya transmission.

It presents right instruction (tattva-upadeśa) as directly liberative: when the disciple receives the complete, principle-infused teaching, the result is nirvāṇa—release from bondage and its karmic continuity.