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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 11

Vidyā-viśodhana-vidhāna

Procedure for Purifying Mantra-Vidyā

ताडनं छेदनं तत्र प्रवेशञ्चापि योजनं आकृष्य ग्रहणं कुर्याद्विद्यया हृत्प्रदेशतः

tāḍanaṃ chedanaṃ tatra praveśañcāpi yojanaṃ ākṛṣya grahaṇaṃ kuryādvidyayā hṛtpradeśataḥ

Là, au moyen de la Vidyā, on doit accomplir le frapper et le trancher ; ainsi que l’insertion et la fixation. Puis, après avoir attiré (la cible) vers soi, on doit la saisir—en dirigeant l’opération depuis la région du cœur.

tāḍanamstriking
tāḍanam:
Karma (कर्म/Item to be done)
TypeNoun
Roottāḍ (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक (action noun), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
chedanamcutting
chedanam:
Karma (कर्म/Item to be done)
TypeNoun
Rootchid (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक, नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
tatrathere, in that (procedure)
tatra:
Adhikarana (अधिकरण/Location)
TypeIndeclinable
Roottatra (अव्यय)
Formदेशवाचक-अव्यय (adverb)
praveśamentering, insertion
praveśam:
Karma (कर्म/Item to be done)
TypeNoun
Rootpraveśa (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा/द्वितीया (Nom/Acc), एकवचन
caand
ca:
Sambandha (सम्बन्ध/Coordination)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
apialso
api:
Sambandha (सम्बन्ध/Addition)
TypeIndeclinable
Rootapi (अव्यय)
Formनिपात (particle: inclusion/emphasis)
yojanamjoining, application
yojanam:
Karma (कर्म/Item to be done)
TypeNoun
Rootyuj (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक, नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
ākṛṣyahaving drawn/pulled
ākṛṣya:
Purvakala (पूर्वकाल/Preceding action)
TypeVerb
Rootā-√kṛṣ (धातु) + ल्यप् (क्त्वा-प्रत्यय)
Formअव्ययभाव-क्त्वान्त (gerund/absolutive), क्रियाविशेषण (adverbial)
grahaṇamseizing, taking
grahaṇam:
Karma (कर्म/Item to be done)
TypeNoun
Rootgrah (धातु) + ana (कृत्)
Formकृत्-प्रत्ययान्त भाववाचक, नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
kuryātshould do
kuryāt:
Kriya (क्रिया/Main action)
TypeVerb
Rootkṛ (धातु)
Formविधिलिङ् (optative), परस्मैपद, प्रथमपुरुष, एकवचन
vidyayāby (means of) knowledge/mantra-knowledge
vidyayā:
Karana (करण/Instrument)
TypeNoun
Rootvidyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (Instrumental), एकवचन
hṛt-pradeśataḥfrom the region of the heart
hṛt-pradeśataḥ:
Apadana (अपादान/Source)
TypeNoun
Roothṛt + pradeśa (प्रातिपदिक)
Formतत्पुरुष-समास; पञ्चमी-विभक्ति (Ablative), एकवचन; तसिल्-अर्थ (from the region of)

Lord Agni (instructing sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Yoga","practical_application":"Technical sequence for close-combat or weapon-handling: strike, cut, insert/fix, draw-in, seize—coordinated from the heart-region (hṛt-pradeśa) implying centered intent, breath, and posture.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Fivefold operation in combat: striking, cutting, insertion, fixing, drawing and seizing","lookup_keywords":["tāḍana","chedana","praveśa","yojana","ākṛṣya-grahaṇa"],"quick_summary":"A compact training rule enumerating core actions in weapon use and grappling. Emphasizes execution ‘from the heart-region’—centered control rather than limb-only force."}

Weapon Type: General (applicable to sword, spear, dagger, and grappling)

Concept: Skill (vidyā) as embodied cognition: actions arise from the ‘heart’ (center) rather than scattered limbs.

Application: Use heart-centered posture (sternum lifted, scapula set, breath steady) to improve timing, reduce telegraphing, and maintain composure under pressure.

Khanda Section: Dhanurveda (Weapon-science and martial applications of Vidya)

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A martial instructor demonstrates a sequence: strike, cut, thrust, pin/lock, then pull the opponent in and seize—shown as five panels around a central heart-symbol indicating ‘hṛt-pradeśa’.","kerala_mural_prompt":"Kerala mural, kṣatriya guru teaching weapon drill, five action vignettes around a stylized heart-lotus, bold outlines, earthy reds/ochres, dynamic poses","tanjore_prompt":"Tanjore painting, heroic warrior in mid-action with sword and dagger, gold embossing on armor, five-step narrative panels, temple-like framing","mysore_prompt":"Mysore painting, instructional combat sequence with clear body mechanics, labeled steps in Sanskrit, emphasis on chest-centered alignment, soft colors and precise linework","mughal_miniature_prompt":"Mughal miniature, akhara training scene, master and student in controlled sparring, sequential actions depicted with elegant motion, detailed textiles and courtyard setting"}

Audio Atmosphere: {"recitation_mood":"energetic","suggested_raga":"Bhairavi","pace":"fast","voice_tone":"instructional"}

Sandhi Resolution Notes: praveśañcāpi → praveśam ca api; kuryādvidyayā → kuryāt vidyayā; hṛtpradeśataḥ → hṛt-pradeśataḥ.

Related Themes: Agni Purana 86 (Dhanurveda segment)

A
Agni Purana
D
Dhanurveda
V
Vidyā

FAQs

It teaches a practical sequence of applied technique—strike, cut, insert, fix/secure, draw the opponent/target toward oneself, and then seize—executed through “vidyā,” i.e., trained specialized method (often understood in Dhanurveda as a disciplined technique, sometimes supported by mantric focus).

By detailing operational combat procedures (not merely mythology or ritual), it shows the Agni Purana’s encyclopedic scope—preserving Dhanurveda-style technical instruction alongside theology, rites, and other sciences.

The emphasis on acting “from the heart-region” implies disciplined inner-centeredness and controlled application of force; in Purāṇic framing, right technique joined with self-mastery supports dharmic conduct even in conflict.