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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 84

Chapter 81 — समयदीक्षाविधानम्

Procedure for Samaya Initiation

सवस्त्रमासनं दद्यात् यथावर्णं निवेदयेत् संहारमुद्रयात्मानं मूर्त्या तस्य हृदम्बुजे

savastramāsanaṃ dadyāt yathāvarṇaṃ nivedayet saṃhāramudrayātmānaṃ mūrtyā tasya hṛdambuje

On doit offrir un siège avec un tissu, et présenter les offrandes selon l’ordre prescrit des couleurs/varṇa. Ensuite, au moyen de la Saṁhāra-mudrā, on doit déposer (fondre) soi-même—avec sa forme incarnée—dans le lotus du cœur de Lui.

sa-vastramwith cloth
sa-vastram:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsa (अव्यय/उपसर्गसदृश) + vastra (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular; tatpuruṣa (upapada): ‘vastrena saha’ = ‘with cloth’
āsanamseat
āsanam:
Karma (कर्म)
TypeNoun
Rootāsana (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
dadyātshould give
dadyāt:
Kriyā (क्रिया)
TypeVerb
Rootdā (धातु)
FormOptative (विधिलिङ्), 3rd Person (प्रथमपुरुष), Singular (एकवचन); parasmaipada
yathā-varṇamaccording to the proper order/varṇa
yathā-varṇam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootyathā (अव्यय) + varṇa (प्रातिपदिक)
FormAvyayībhāva adverb: ‘according to the prescribed order/colour/class (varṇa)’
nivedayetshould present/offer
nivedayet:
Kriyā (क्रिया)
TypeVerb
Rootni-vid (धातु)
FormOptative (विधिलिङ्), 3rd Person, Singular; causative sense in usage ‘to present/offer/announce’
saṃhāra-mudrayāwith the saṃhāra-mudrā (gesture of withdrawal)
saṃhāra-mudrayā:
Karaṇa (करण)
TypeNoun
Rootsaṃhāra (प्रातिपदिक) + mudrā (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular; tatpuruṣa: ‘saṃhārasya mudrā’
ātmānamoneself
ātmānam:
Karma (कर्म)
TypeNoun
Rootātman (प्रातिपदिक)
FormMasculine, Accusative (2nd/द्वितीया), Singular
mūrtyāby/with the form (manifestation)
mūrtyā:
Karaṇa (करण)
TypeNoun
Rootmūrti (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Singular
tasyaof him/of that (deity)
tasya:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormPronoun; Masculine/Neuter, Genitive (6th/षष्ठी), Singular
hṛd-ambujein the heart-lotus
hṛd-ambuje:
Adhikaraṇa (अधिकरण)
TypeNoun
Roothṛd (प्रातिपदिक) + ambuja (प्रातिपदिक)
FormNeuter, Locative (7th/सप्तमी), Singular; tatpuruṣa: ‘hṛdi ambujam’ = ‘lotus in the heart’

Lord Agni (in instruction to the sage Vasiṣṭha, as the usual Agni Purāṇa dialogue frame)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Pūjā procedure: offering āsana with cloth, presenting upacāras in prescribed color/order, and performing saṃhāra-mudrā for internalization/mergence of the worshipper into the deity’s heart-lotus (hṛd-ambuja).","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Āsana-dāna, varṇa-krama upacāra, and Saṃhāra-mudrā (hṛdaya-laya) in Śaiva pūjā","lookup_keywords":["āsana-dāna","saṃhāra-mudrā","hṛd-ambuja","varṇa-krama","upacāra"],"quick_summary":"Offer the seat with cloth and present offerings in the prescribed order; then use Saṃhāra-mudrā to internalize oneself into the deity’s heart-lotus as a contemplative culmination of worship."}

Concept: External upacāra culminates in internal laya: the worshipper’s identity is gathered (saṃhāra) into the deity’s heart-center, emphasizing non-separation in contemplative worship.

Application: After completing offerings, perform a closing mudrā/meditation that draws attention inward to the heart-lotus, stabilizing devotion as concentration (dhāraṇā).

Khanda Section: Puja-vidhi (Tantric/Mantra ritual procedure and mudrā practice)

Primary Rasa: shanta

Secondary Rasa: bhakti

Visual Art Cues: {"scene_description":"A ritualist offers a cloth-covered seat before Śiva, arranges offerings by prescribed colors, then forms Saṃhāra-mudrā while visualizing Śiva seated in a radiant lotus within the heart.","kerala_mural_prompt":"Kerala mural, priest before Śiva shrine offering āsana with white cloth, rows of color-coded offerings, then a second vignette showing glowing heart-lotus with Śiva inside, deep reds and ochres, lamp-lit sanctum","tanjore_prompt":"Tanjore style, ornate Śiva on pedestal, gold-leaf halo, priest presenting cloth and āsana, offerings in distinct colors, inset medallion showing heart-lotus with miniature Śiva, rich embossing","mysore_prompt":"Mysore painting, instructional composition: stepwise panels—āsana with cloth, offerings by varṇa order, hand gesture diagram of Saṃhāra-mudrā, subtle depiction of heart-lotus visualization","mughal_miniature_prompt":"Mughal miniature, detailed ritual chamber with textiles and vessels, priest forming mudrā, translucent overlay showing heart-lotus with seated Śiva, fine floral borders and precise objects"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: sa-vastram + āsanam → savastramāsanam; saṃhāra-mudrayā + ātmānam → saṃhāramudrayātmānam; hṛd + ambuje → hṛdambuje.

Related Themes: Agni Purana 81 (mudrā and nyāsa-related pūjā steps); Agni Purana mantra/mudrā descriptions in pūjā-vidhi sections

A
Agni Purana
S
Saṁhāra-mudrā
H
hṛd-ambuja (heart-lotus)
P
pūjā (ritual worship)
U
upacāra (offerings)

FAQs

It prescribes a concrete pūjā sequence: offering a cloth-covered seat (āsana) and making offerings in the ritually specified order, followed by using Saṁhāra-mudrā to internalize/merge the practitioner’s self into the deity’s heart-lotus visualization.

It shows the Agni Purāṇa’s practical ritual manual dimension—detailing upacāras, color/varṇa-based ritual protocol, and mudrā-based internalization—alongside its broader coverage of many sciences and arts.

The instruction culminates in self-withdrawal and inner union with the deity (hṛd-ambuja), aiming at purification of identity, concentration, and the devotional/meditative completion (saṁhāra) of the worship act.