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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 68

Chapter 78 — पवित्रारोहणकथनं

Pavitrārohaṇa: Installing the Sanctifying Thread/Garland

आचान्तो मन्त्रसम्बद्धः कृतसङ्गीतजागरः स्वपेदन्तः स्मरन्नीशं बुभुक्षुर्दर्भसंस्तरे

ācānto mantrasambaddhaḥ kṛtasaṅgītajāgaraḥ svapedantaḥ smarannīśaṃ bubhukṣurdarbhasaṃstare

Après avoir accompli l’ācamana, s’être appliqué à la récitation des mantras et avoir veillé en état d’éveil par le chant dévotionnel, on doit s’étendre sur une couche d’herbe darbha ; et, même affamé, s’endormir en se souvenant du Seigneur.

ācāntaḥhaving performed ācamana
ācāntaḥ:
Karta (कर्ता)
TypeAdjective
Rootācānta (कृदन्त/क्त, ā-√cam आचम्)
FormNominative (1st/प्रथमा), Singular (एकवचन), Masculine (पुंलिङ्ग); past participle: 'having sipped (ācamana done)'
mantra-sambaddhaḥlinked with (recitation of) mantras
mantra-sambaddhaḥ:
Karta (कर्ता)
TypeAdjective
Rootmantra (प्रातिपदिक) + sambaddha (कृदन्त/क्त, √bandh बन्ध्)
FormNominative (1st/प्रथमा), Singular, Masculine; 'connected with mantra'
kṛta-saṅgīta-jāgaraḥkeeping vigil with sacred singing
kṛta-saṅgīta-jāgaraḥ:
Karta (कर्ता)
TypeAdjective
Rootkṛta (कृदन्त/क्त, √kṛ कृ) + saṅgīta (प्रातिपदिक) + jāgara (प्रातिपदिक)
FormNominative, Singular, Masculine; 'one whose wakefulness is made with singing/chanting' (i.e., kept awake by devotional singing)
svapetshould sleep
svapet:
Kriyā (क्रिया)
TypeVerb
Root√svap (स्वप्)
FormOptative (विधिलिङ्), 3rd person, Singular, Parasmaipada
antaḥwithin/inside
antaḥ:
Deśa-adhikaraṇa (देशाधिकरण)
TypeIndeclinable
Rootantaḥ (अव्यय)
FormIndeclinable adverb (अन्तः = within/inside)
smaranremembering
smaran:
Karta (कर्ता)
TypeVerb
Root√smṛ (स्मृ) शतृ (शतृ-प्रत्यय)
FormPresent active participle (शतृ), Nominative Singular Masculine; contemporaneous action with main verb
īśamthe Lord (Īśa)
īśam:
Karma (कर्म)
TypeNoun
Rootīśa (प्रातिपदिक)
FormAccusative (2nd/द्वितीया), Singular, Masculine
bubhukṣuḥhungry / wishing to eat
bubhukṣuḥ:
Karta (कर्ता)
TypeAdjective
Rootbubhukṣu (कृदन्त/उणादि-प्रत्यय, √bhuj भुज्)
FormNominative, Singular, Masculine; desiderative adjective 'desiring to eat'
darbha-saṃstareon a darbha-grass bedding
darbha-saṃstare:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootdarbha (प्रातिपदिक) + saṃstara (प्रातिपदिक)
FormLocative (7th/सप्तमी), Singular, Masculine; 'on a darbha-grass bed'

Lord Agni (in discourse to sage Vasiṣṭha, Agni Purāṇa frame-tradition)

Vidya Category: {"primary_vidya":"Vrata","secondary_vidya":"Mantra","practical_application":"Night discipline for a sādhaka: ācamana, mantra-japa, devotional vigil with song, then sleeping on darbha-grass while remembering Īśa, even if hungry.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Śayana-vidhi: Darbha-bed, Japa, and Īśa-smaraṇa","lookup_keywords":["shayana-vidhi","darbha-sanstara","japa","jagara","isha-smarana"],"quick_summary":"Complete purification and japa, keep a devotional vigil, then rest on darbha as a disciplined bed while maintaining remembrance of the Lord, subordinating hunger to sādhana."}

Concept: Smaraṇa at the threshold of sleep: carrying God-remembrance into unconsciousness; tapas through regulated sleep and appetite.

Application: Adopt a nightly routine: purification → japa → devotional singing/vigil (as capacity allows) → simple bedding → sleep with a chosen divine name/form in mind.

Khanda Section: Puja-vidhi (Nitya-karman, Sandhya, Shayana-vidhi)

Primary Rasa: shanta

Secondary Rasa: bhakti

Visual Art Cues: {"scene_description":"A devotee after ācamana sits for japa, sings in a small night vigil, then lies down on a simple darbha-grass mat, hands in a restful posture, mind fixed on Śiva/Īśa despite hunger.","kerala_mural_prompt":"Kerala mural, night interior with oil lamp glow, sādhaka seated with japa-mālā, faint musical instruments indicating saṅgīta-jāgara, then reclining on darbha mat with serene face and subtle Śiva symbol in background; stylized foliage borders.","tanjore_prompt":"Tanjore painting, devotee with halo-like aura of devotion, gold highlights on lamp and mala, darbha mat rendered with texture, small Śiva liṅga or Īśa icon in niche, deep maroons and greens.","mysore_prompt":"Mysore painting, calm instructional composition: three stages (ācamana, japa/singing, sleeping on darbha), soft pastel palette, fine facial expressions emphasizing composure.","mughal_miniature_prompt":"Mughal miniature, intimate chamber scene with carpet replaced by simple grass mat, devotee with rosary, musicians minimal, moonlight through lattice window, subtle icon of Īśa; delicate detailing."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: svapedantaḥ parsed as svapet + antaḥ (sleep within/inside [the enclosure]); smarannīśaṃ = smaran + īśam.

Related Themes: Agni Purana 78 (nitya-karman and vrata observances around pavitra rites)

Ī
Īśa (Īśvara, the Lord)
D
Darbha (Kuśa grass)
M
Mantra (Japa/recitation)

FAQs

It prescribes a śayana-vidhi: perform ācamana, remain engaged in mantra (japa), optionally keep a devotional vigil with singing, and sleep on darbha-grass while remembering Īśvara—even if hungry.

Beyond mythology, it records practical nitya-karman details—purification (ācamana), mantra-regimen, devotional observance (jāgara/saṅgīta), and ritual materials (darbha)—showing the text’s coverage of daily religious life and applied ritual procedure.

Sleeping with remembrance of the Lord (īśa-smaraṇa) after purification and mantra-practice frames rest as a devotional act, supporting mental purity, restraint (even amid hunger), and merit through continuous God-centered recollection.