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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 6

अध्याय ७३: सूर्यपूजाविधिः

Sūrya-pūjā-vidhi — The Procedure for Sun-Worship

पद्ममध्ये रां च दीप्तां रीं सूक्ष्मां रं जयांक्रमात् रूं भद्रां रें विभूतीश् च विमलां रैममोघया

padmamadhye rāṃ ca dīptāṃ rīṃ sūkṣmāṃ raṃ jayāṃkramāt rūṃ bhadrāṃ reṃ vibhūtīś ca vimalāṃ raimamoghayā

Au centre du lotus, on placera la bīja rāṃ comme la Puissance Radieuse, rīṃ comme la Puissance Subtile; puis, selon l’ordre prescrit, raṃ comme la Puissance Victorieuse; ensuite rūṃ comme la Puissance Auspicieuse, reṃ comme la Puissance Seigneur des Manifestations, et enfin raiṃ comme la Puissance Immaculée et Infaillible.

पद्म-मध्येin the middle of the lotus
पद्म-मध्ये:
अधिकरण (Adhikaraṇa/Location)
TypeNoun
Rootपद्म (प्रातिपदिक) + मध्य (प्रातिपदिक)
Formतत्पुरुष-समास (पद्मस्य मध्ये); नपुंसकलिङ्ग, सप्तमी एकवचन
रांrāṃ (seed syllable)
रां:
सम्बोधन/मन्त्राङ्ग (Mantric element)
TypeIndeclinable
Rootरां (बीजमन्त्र/अव्यय-प्रयोग)
Formबीजाक्षर-रूप अव्यय (mantric syllable)
and
:
समुच्चय (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
दीप्ताम्blazing, radiant
दीप्ताम्:
विशेषण (Qualifier)
TypeAdjective
Rootदीप्त (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया एकवचन (qualifying an implied देवी/शक्ति)
रींrīṃ (seed syllable)
रीं:
सम्बोधन/मन्त्राङ्ग (Mantric element)
TypeIndeclinable
Rootरीं (बीजमन्त्र/अव्यय-प्रयोग)
Formबीजाक्षर-रूप अव्यय
सूक्ष्माम्subtle
सूक्ष्माम्:
विशेषण (Qualifier)
TypeAdjective
Rootसूक्ष्म (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया एकवचन
रंraṃ (seed syllable)
रं:
सम्बोधन/मन्त्राङ्ग (Mantric element)
TypeIndeclinable
Rootरं (बीजमन्त्र/अव्यय-प्रयोग)
Formबीजाक्षर-रूप अव्यय
जयाम्Jaya (the victorious one)
जयाम्:
कर्म (Karma/Object of visualization/placement)
TypeNoun
Rootजया (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया एकवचन
क्रमात्in sequence
क्रमात्:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formतृतीया/पञ्चमी-रूपेण अव्ययीभूत (adverbial instrumental/ablative sense): ‘in order/stepwise’
रूंrūṃ (seed syllable)
रूं:
सम्बोधन/मन्त्राङ्ग (Mantric element)
TypeIndeclinable
Rootरूं (बीजमन्त्र/अव्यय-प्रयोग)
Formबीजाक्षर-रूप अव्यय
भद्राम्Bhadrā (auspicious one)
भद्राम्:
कर्म (Karma/Object)
TypeNoun
Rootभद्रा (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया एकवचन
रेंreṃ (seed syllable)
रें:
सम्बोधन/मन्त्राङ्ग (Mantric element)
TypeIndeclinable
Rootरें (बीजमन्त्र/अव्यय-प्रयोग)
Formबीजाक्षर-रूप अव्यय
विभूतीःmanifest powers/glories
विभूतीः:
कर्म (Karma/Object)
TypeNoun
Rootविभूति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया बहुवचन (or प्रथमा बहुवचन by context; here treated as objects in a list)
and
:
समुच्चय (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
विमलाम्Vimalā (the pure one)
विमलाम्:
कर्म (Karma/Object)
TypeNoun
Rootविमला (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया एकवचन
रैम्raim (seed syllable)
रैम्:
सम्बोधन/मन्त्राङ्ग (Mantric element)
TypeIndeclinable
Rootरैम् (बीजमन्त्र/अव्यय-प्रयोग)
Formबीजाक्षर-रूप अव्यय
अमोघयाwith Amoghā (the unfailing one)
अमोघया:
करण (Karaṇa/Instrument)
TypeNoun
Rootअमोघा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया एकवचन (instrumental: ‘with/through Amoghā’)

Lord Agni (narrating to the sage Vasiṣṭha in the Agni Purāṇa’s instructional dialogue)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Provides a lotus-nyāsa mapping of bīja-syllables with named śaktis for constructing/energizing a yantra and internalizing deity-powers during worship.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Padma-madhya bīja-nyāsa: rāṃ–rīṃ–raṃ–rūṃ–reṃ–raiṃ with śakti-nāmas","lookup_keywords":["padma-nyāsa","rāṃ rīṃ raṃ rūṃ reṃ raiṃ","śakti-nāma","yantra"],"quick_summary":"Install specific bījas in the lotus center with corresponding śakti-epithets (dīptā, sūkṣmā, jayā, bhadrā, vibhūtīś, vimalā/amoghā) to awaken graded powers in ritual and meditation."}

Concept: Mantra as śakti-krama: from radiance to subtlety to victory, auspiciousness, lordship of manifestations, and stainless unfailing efficacy.

Application: Use the sequence as an internal map: visualize each śakti arising in the heart/lotus while placing bījas, cultivating steadiness and confidence in ritual efficacy.

Khanda Section: Puja-vidhi / Tantra-mantra-nyasa (Mantra placement within the lotus/yantra)

Primary Rasa: Adbhuta

Secondary Rasa: Shanta

Visual Art Cues: {"scene_description":"A lotus-yantra is visualized/inscribed; in its center the practitioner places bījas rāṃ, rīṃ, raṃ, rūṃ, reṃ, raiṃ, each glowing with a distinct quality—radiant, subtle, victorious, auspicious, sovereign of manifestations, stainless and unfailing.","kerala_mural_prompt":"Kerala mural, large stylized lotus mandala, six glowing seed syllables in Malayalam/Sanskrit script at center, each with a small personified śakti aura, warm reds and ochres, ritualist seated with palm-leaf manuscript","tanjore_prompt":"Tanjore, lotus-yantra with embossed gold petals, central bījas in raised gold script, six śakti-emanations as small crowned figures, rich jewel tones, symmetrical devotional layout","mysore_prompt":"Mysore painting, diagrammatic lotus with clear labeled bījas, soft pastel background, teacher-priest pointing to sequence, emphasis on instructional clarity","mughal_miniature_prompt":"Mughal miniature, scholar-ritualist drawing a lotus diagram on paper, bījas written in fine calligraphy, subtle halos indicating śaktis, ornate border and carpeted setting"}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: पद्ममध्ये = पद्म + मध्ये; विभूतीश् च = विभूतीः + च (visarga/sibilant sandhi in transmission); रैममोघया segmented as रैम् + अमोघया.

Related Themes: Agni Purana Tantra-mantra-nyāsa passages on padma/yantra construction and bīja-śakti correspondences

P
Padma (lotus/yantra)
B
Bīja-mantras (rāṃ, rīṃ, raṃ, rūṃ, reṃ, raiṃ)
Ś
Śakti-nāmas (Dīptā, Sūkṣmā, Jayā, Bhadrā, Vimalā, Amoghā)

FAQs

It teaches padma-yantra/mantra-nyāsa: placing specific bīja-syllables (rāṃ, rīṃ, raṃ, rūṃ, reṃ, raiṃ) in the lotus-center and arranging them sequentially while contemplating their corresponding śakti-qualities (radiance, subtlety, victory, auspiciousness, lordship of manifestations, purity, unfailing efficacy).

Beyond mythic narration, it preserves applied ritual technology—how to map sound-seeds (bīja) to diagrammatic space (padma/yantra) and to functional śakti-concepts—showing the Agni Purāṇa’s coverage of practical tantra-inflected pūjā procedures alongside other sciences.

Correct nyāsa aligns the practitioner’s visualization, mantra-sound, and sacred geometry, aiming at purification (vimalā) and assured efficacy (amoghā) of worship—understood as enhancing merit and stabilizing spiritual focus.