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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 31

Chapter 72 — स्नानविशेषादिकथनम्

Special Rules of Bathing, Mantra-Purification, and Sandhyā

हृद्बिन्दुब्रह्मरन्ध्रेषु अरूपा तु परे स्थिता शिवबोधपरा या तु सा सन्ध्या मरमोच्यते

hṛdbindubrahmarandhreṣu arūpā tu pare sthitā śivabodhaparā yā tu sā sandhyā maramocyate

Cette pratique intérieure, sans forme, demeure dans la Réalité suprême au sein du cœur, au point subtil (bindu) et dans l’ouverture de Brahman (brahma-randhra) au sommet du crâne; vouée à la réalisation de Śiva, elle est appelée la Sandhyā de l’enseignement secret/intérieur.

हृत्-बिन्दु-ब्रह्म-रन्ध्रेषुin the heart-point and brahma-aperture (centres)
हृत्-बिन्दु-ब्रह्म-रन्ध्रेषु:
Adhikarana (अधिकरण)
TypeNoun
Rootहृत् (प्रातिपदिक) + बिन्दु (प्रातिपदिक) + ब्रह्म (प्रातिपदिक) + रन्ध्र (प्रातिपदिक)
Formनपुंसकलिङ्ग (रन्ध्र), सप्तमी-विभक्ति (अधिकरण), बहुवचन; समाहार/निर्देशार्थे ‘in the heart-point and brahma-opening (centres)’
अरूपाformless
अरूपा:
Karta (कर्ता)
TypeAdjective
Rootअ-रूप (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम् (सन्ध्या)
तुbut/indeed
तु:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (particle), विरोध/विशेषार्थक
परेin the Supreme
परे:
Adhikarana (अधिकरण)
TypeNoun
Rootपर (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (अधिकरण), एकवचन; ‘in the Supreme’
स्थिताsituated/abiding
स्थिता:
Kriya (क्रिया)
TypeVerb
Root√स्था (धातु) + क्त (कृदन्त-प्रत्यय)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle); स्त्रीलिङ्ग, प्रथमा, एकवचन; (सन्ध्या)
शिव-बोध-पराःdevoted to the knowledge of Śiva
शिव-बोध-पराः:
Karta (कर्ता)
TypeAdjective
Rootशिव (प्रातिपदिक) + बोध (प्रातिपदिक) + पर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम् (या/सा सन्ध्या)
याwhich
या:
Karta (कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; सम्बन्धक-प्रत्यय (relative pronoun)
तुindeed
तु:
Sambandha/Discourse particle (निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात
साthat
सा:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; निर्देश (correlative pronoun)
सन्ध्याsandhyā
सन्ध्या:
Karta (कर्ता)
TypeNoun
Rootसन्ध्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
मरम्‘mara’ (name/term)
मरम्:
Karma (कर्म)
TypeNoun
Rootमर (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचन; (नामरूपेण)
उच्यतेis called
उच्यते:
Kriya (क्रिया)
TypeVerb
Root√वच् (धातु)
Formलट्-लकार, प्रथमपुरुष, एकवचन; आत्मनेपद; कर्मणि-प्रयोग (passive)

Lord Agni (teaching the Agni Purana’s yogic/ritual doctrine to sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Yoga & Tantra","practical_application":"Guides internal Sandhyā as subtle-body contemplation across heart, bindu, and brahma-randhra, oriented to Śiva-realization rather than external twilight rites.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Marma/Gupta Sandhyā — Arūpā Śiva-bodha in Hṛd–Bindu–Brahmarandhra","lookup_keywords":["arūpā sandhyā","hṛd","bindu","brahmarandhra","śiva-bodha"],"quick_summary":"Defines the ‘secret/inner Sandhyā’ as formless contemplation abiding in heart, bindu, and brahmarandhra, dedicated to realization of Śiva."}

Concept: Arūpa (formless) contemplation culminating in Śiva-bodha, mapped onto subtle loci (hṛd, bindu, brahmarandhra).

Application: Practice internal worship: stabilize attention in heart, refine to bindu-focus, and lift awareness to brahmarandhra as a contemplative sequence for non-dual Śiva-recognition.

Khanda Section: Yoga & Tantra (Sandhyā, internal worship, subtle-body doctrine)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"An internal yogic diagram-like scene: a meditating figure with highlighted heart-lotus, a luminous bindu point, and an opening at the crown (brahmarandhra), all suffused with Śiva-consciousness.","kerala_mural_prompt":"Kerala mural style, meditating yogi, stylized heart-lotus glowing, a small bindu orb, crown aperture emitting light, subdued palette with sacred reds and golds, Śaiva symbolism subtle","tanjore_prompt":"Tanjore painting, meditating figure with gold-embossed highlights at heart and crown, central bindu rendered as gem-like sphere, ornate Śaiva aureole, rich reds and greens","mysore_prompt":"Mysore painting, instructional subtle-body emphasis, fine annotations implied by placement of glowing points (heart, bindu, crown), calm facial expression, soft luminous washes","mughal_miniature_prompt":"Mughal miniature, seated yogi with delicate translucent overlays indicating inner centers, fine detailing of crown light, minimal background, refined color gradations"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: हृद्बिन्दुब्रह्मरन्ध्रेषु → हृत्-बिन्दु-ब्रह्म-रन्ध्रेषु (समास); मरमोच्यते → मरम् उच्यते.

Related Themes: Agni Purana 72 (internal Sandhyā, nyāsa, mantra and purification subsections)

Ś
Śiva
B
Brahma-randhra
B
Bindu
S
Sandhyā

FAQs

It defines an internal (antar) Sandhyā: a formless contemplative practice focused on Śiva-realization, located in key subtle centers—heart, bindu, and brahma-randhra—rather than external offerings alone.

Beyond myth and worship, it preserves yogic–tantric technicalities (subtle anatomy like bindu and brahma-randhra) and reframes a common Vedic rite (Sandhyā) as an inner meditative discipline—showing the text’s wide coverage of ritual, philosophy, and yoga.

By directing Sandhyā toward formless supreme awareness and Śiva-bodha, the practice is presented as an inward purification and liberation-oriented discipline, shifting merit from mere external observance to transformative realization.

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