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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 17

Chapter 61 — द्वारप्रतिष्ठाध्वजारोहाणादिविधिः

Gateway Installation, Flag Hoisting, and Allied Rites

प्रासादविम्बद्रव्याणां यावन्तः परमाणवः तावद्वर्षसहस्राणि तत्कर्ता विष्णुलोकभाक्

prāsādavimbadravyāṇāṃ yāvantaḥ paramāṇavaḥ tāvadvarṣasahasrāṇi tatkartā viṣṇulokabhāk

Autant il y a d’atomes (paramāṇu) dans les matériaux employés pour le temple (prāsāda) et son icône (vimba), autant de milliers d’années l’artisan en reçoit une part dans le monde de Viṣṇu (Viṣṇuloka/Vaikuṇṭha).

prāsāda-vimba-dravyāṇāmof the materials of the temple-image
prāsāda-vimba-dravyāṇām:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootprāsāda (प्रातिपदिक) + vimba (प्रातिपदिक) + dravya (प्रातिपदिक)
FormNapumsaka, Ṣaṣṭhī (6th), Bahuvacana; तत्पुरुष (समाहार/षष्ठी-तत्पुरुष: प्रासादस्य विम्बस्य द्रव्याणि)
yāvantaḥas many as
yāvantaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootyāvat (सर्वनाम-प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Bahuvacana; correlatives with tāvat
paramāṇavaḥatoms/particles
paramāṇavaḥ:
Karta (कर्ता)
TypeNoun
Rootparamāṇu (प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Bahuvacana
tāvatso many
tāvat:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottāvat (सर्वनाम-प्रातिपदिक/अव्ययवत्)
FormAvyaya used correlatively with yāvat; ‘so many/that much’
varṣa-sahasrāṇithousands of years
varṣa-sahasrāṇi:
Kāla-adhikaraṇa (कालाधिकरण)
TypeNoun
Rootvarṣa (प्रातिपदिक) + sahasra (प्रातिपदिक)
FormNapumsaka, Prathamā (1st) or Dvitīyā (2nd), Bahuvacana; here as measure of duration; तत्पुरुष (षष्ठी: वर्षाणां सहस्राणि)
tat-kartāthe doer of that (builder/maker)
tat-kartā:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक) + kartṛ (प्रातिपदिक)
FormPuṃliṅga, Prathamā (1st), Ekavacana; तत्पुरुष (षष्ठी: तस्य कर्ता)
viṣṇu-loka-bhākattainer of Viṣṇu’s world
viṣṇu-loka-bhāk:
Karta (कर्ता)
TypeNoun
Rootviṣṇu (प्रातिपदिक) + loka (प्रातिपदिक) + bhāj (प्रातिपदिक from √bhaj)
FormPuṃliṅga, Prathamā (1st), Ekavacana; तत्पुरुष (षष्ठी: विष्णोः लोकस्य भाक् = भागी)

Lord Agni (narrating to sage Vasiṣṭha, in the Agni Purāṇa’s instructional dialogue frame)

Vidya Category: {"primary_vidya":"Vastu","secondary_vidya":"Dharmashastra","practical_application":"Motivational dharma-phala teaching to encourage temple and icon construction by quantifying merit: the builder gains prolonged residence in Viṣṇu’s realm proportional to the material ‘atoms’ used.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Merit (phala) of Prāsāda and Vimba construction","lookup_keywords":["prāsāda","vimba","paramāṇu","puṇya-phala","viṣṇuloka"],"quick_summary":"Temple and icon construction yields immense merit: the maker attains Viṣṇu’s world for thousands of years multiplied by the number of atoms in the construction materials—an emphatic incentive for sacred building."}

Alamkara Type: Atishayokti

Concept: Dāna-like merit accrues through sacred construction; material effort in service of deity yields transcendent reward (Viṣṇuloka).

Application: Encourage patronage and ethical craftsmanship in temple/icon projects by framing them as high-yield dharmic acts.

Khanda Section: Vāstu-śāstra (Temple Architecture and Merit of Construction)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A grand temple under construction with sculptors carving an icon; the scene subtly visualizes ‘atoms’ as sparkling motes around stones and metals, while a vision of Vaikuṇṭha appears as the promised fruit.","kerala_mural_prompt":"Kerala mural, artisans carving a vimba and building a prāsāda, luminous specks (paramāṇu) floating, in the upper register Viṣṇu’s Vaikuṇṭha with attendants, earthy palette and bold contours.","tanjore_prompt":"Tanjore painting, richly ornamented temple façade with gold accents, sculptor presenting the icon, Vaikuṇṭha vision with Viṣṇu in gold foil radiance, decorative borders emphasizing merit.","mysore_prompt":"Mysore style, detailed yet calm construction tableau: measuring, carving, placing stones; subtle dotted glow indicating paramāṇu; inset panel of Viṣṇuloka as the result, clean instructional elegance.","mughal_miniature_prompt":"Mughal miniature, bustling construction site with precise architectural detail, craftsmen and patrons, shimmering dust motes as ‘atoms’, a cloud-borne Vaikuṇṭha vision above, refined colors and perspective."}

Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Bilawal","pace":"medium","voice_tone":"epic"}

Sandhi Resolution Notes: prāsāda+vimba+dravyāṇām → prāsādavimbadravyāṇāṃ; varṣa+sahasrāṇi → varṣasahasrāṇi; tat+kartā → tatkartā; viṣṇu+loka+bhāk → viṣṇulokabhāk.

Related Themes: Agni Purana Vāstu/Śilpa sections on prāsāda-nirmāṇa and mūrti-pratiṣṭhā; Agni Purana phala-śruti passages attached to ritual/constructive acts

V
Vishnu
V
Vaikuntha (Vishnu-loka)

FAQs

It teaches the Vāstu-śāstra principle that commissioning/building a temple (prāsāda) and its deity-image (vimba) yields measurable religious merit, expressed through an atom-count (paramāṇu) based merit-fruition formula.

It exemplifies how the Agni Purāṇa links practical disciplines like architecture and icon-making (Vāstu and śilpa) with theology and karma-phala (spiritual results), integrating technical construction topics with soteriological outcomes (attaining Viṣṇu-loka).

The verse states that the patron/builder accrues vast puṇya—lasting “as many thousands of years as there are atoms” in the construction materials—culminating in residence in Viṣṇu’s realm (Vaikuṇṭha).