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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 9

Chapter 45 — Piṇḍikā-Lakṣaṇa

Characteristics and Measurements of the Pedestal/Plinth

आयते नयने कार्ये त्रिभागोनैर् यवैस्त्रिभिः तदर्धेन तु वैपुल्यं नेत्रयोः परिकल्पयेत्

āyate nayane kārye tribhāgonair yavaistribhiḥ tadardhena tu vaipulyaṃ netrayoḥ parikalpayet

Lorsque les yeux doivent être allongés, on en formera la longueur avec trois yavas diminués d’un tiers; et avec la moitié de cette mesure on fixera la largeur des yeux.

आयतेelongated/long
आयते:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootआयत (प्रातिपदिक)
Formनपुंसकलिङ्ग; द्वितीया, द्विवचन; विशेषण (agreeing with नयने)
नयनेthe two eyes
नयने:
Karma (कर्म)
TypeNoun
Rootनयन (प्रातिपदिक)
Formनपुंसकलिङ्ग; द्वितीया (2nd/कर्म), द्विवचन
कार्येshould be made
कार्ये:
Vidhi (विधि)
TypeVerb
Rootकृ (धातु) + यत् (कृत् प्रत्यय)
Formकार्य (gerundive); नपुंसकलिङ्ग; द्वितीया, द्विवचन; विधेय-विशेषण (‘to be made’)
त्रिभागोनैःby (measures) reduced by three parts
त्रिभागोनैः:
Karaṇa (करण)
TypeAdjective
Rootत्रि (संख्या, प्रातिपदिक) + भाग (प्रातिपदिक) + ऊन (प्रातिपदिक)
Formपुंलिङ्ग; तृतीया (3rd/करण), बहुवचन; तत्पुरुष-समास (‘less by three parts/thirds’)
यवैःwith yava-grains (as units)
यवैः:
Karaṇa (करण)
TypeNoun
Rootयव (प्रातिपदिक)
Formपुंलिङ्ग; तृतीया (3rd/करण), बहुवचन
त्रिभिःby three
त्रिभिः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootत्रि (संख्या, प्रातिपदिक)
Formपुंलिङ्ग; तृतीया, बहुवचन; संख्याविशेषण
तदर्धेनby half of that
तदर्धेन:
Karaṇa (करण)
TypeNoun
Rootतद् (सर्वनाम, प्रातिपदिक) + अर्ध (प्रातिपदिक)
Formनपुंसकलिङ्ग; तृतीया (3rd/करण), एकवचन; तत्पुरुष (‘by half of that’)
तुand/but
तु:
Sambandha (सम्बन्ध/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात
वैपुल्यम्breadth/width
वैपुल्यम्:
Karma (कर्म)
TypeNoun
Rootवैपुल्य (प्रातिपदिक)
Formनपुंसकलिङ्ग; द्वितीया (2nd/कर्म), एकवचन
नेत्रयोःof the two eyes
नेत्रयोः:
Sambandha (सम्बन्ध)
TypeNoun
Rootनेत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग; षष्ठी (6th/सम्बन्ध), द्विवचन
परिकल्पयेत्should arrange/construct
परिकल्पयेत्:
Kriyā (क्रिया)
TypeVerb
Rootपरि + कल्प् (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद

Lord Agni (in dialogue, traditionally instructing Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Shilpa","secondary_vidya":"Alamkara","practical_application":"Determine eye length and breadth for elongated eyes in sculpture/painting using yava-based proportional reduction; ensures consistent, graceful netra-lakṣaṇa in icons.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Formula","entry_title":"Netra-pramāṇa for Āyata-nayana (Elongated Eyes)","lookup_keywords":["āyata-nayana","netra-pramāṇa","yava","length-breadth ratio","citra-lakṣaṇa"],"quick_summary":"For elongated eyes, set the length by a yava-based measure reduced by one-third, and set the breadth as half of that length—yielding a controlled, elegant eye proportion."}

Alamkara Type: Upama

Concept: Beauty is systematized through ratio; the ‘ideal’ (saumya/āyata) is achieved by computable proportion rather than subjective guesswork.

Application: Artists can reproduce a tradition-consistent eye-form across media (stone, metal, paint) by using a fixed proportional algorithm.

Khanda Section: Shilpa-shastra / Chitra-Lakshana (Iconography & Proportional Canons)

Primary Rasa: shringara

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A diagrammatic rendering of an elongated eye with measured length and half-breadth, alongside an artisan applying the rule to a deity painting or sculpture face.","kerala_mural_prompt":"Kerala mural style, close-up of Devī eyes being painted elongated, artisan’s hand with stylus, subtle measurement marks, warm ochres and reds, stylized lashes and lotus-like eye corners.","tanjore_prompt":"Tanjore style, Lakṣmī/Devī face with prominent āyata-netra, gold accents on eyelids and ornaments, inset panel showing the proportional rule (length and half-breadth) as a decorative cartouche.","mysore_prompt":"Mysore style, instructional plate: single eye enlarged with annotated measures (length reduced by one-third; breadth half), clean borders, soft colors, precise linework for students.","mughal_miniature_prompt":"Mughal miniature, painter in studio sketching an eye on paper with a fine brush, a small scale of yava units beside, delicate shading and meticulous detail on the eye contour."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: त्रिभागोनैर् = त्रिभागोनैः (रेफ-सन्धि/विसर्ग-लोप); यवैस्त्रिभिः = यवैः + त्रिभिः; तदर्धेन = तद् + अर्धेन.

Related Themes: Agni Purana 45 (netra, mukha, and aṅga-pramāṇa progression)

A
Agni
S
Shilpa-shastra
C
Chitra-lakshana
Y
Yava (barley-grain measure)

FAQs

It gives a precise shilpa-shastra rule for sculpting/painting elongated eyes: the eye-length is set using a yava-based measure (three yavas minus one-third), and the width is fixed as half of that length.

Beyond theology, the Agni Purana preserves practical technical canons of sacred art—standardized proportional measurement (pramāṇa) used in temple icons—showing its coverage of architecture, sculpture, and visual design alongside ritual and doctrine.

Correct proportions in sacred imagery are traditionally held to ensure the icon’s auspiciousness and devotional efficacy; following prescribed pramāṇa supports dharmic creation of images intended for worship and merit-bearing consecration.