Agni Purana — Sahitya-shastra, Shloka 20
Explanation of Abhinaya and Related Topics (अभिनयादिनिरूपणम्) — Agni Purana, Chapter 341
वाकोवाक्यमनुप्रासश्चित्रं दुष्करमेव च ज्णेया नवालङ्कृतयः शब्दानामित्यसङ्करात्
vākovākyamanuprāsaścitraṃ duṣkarameva ca jṇeyā navālaṅkṛtayaḥ śabdānāmityasaṅkarāt
Vākovākya, anuprāsa, citra, et aussi duṣkara : il faut les comprendre comme les neuf ornements des mots (figures fondées sur le son), puisqu’ils se distinguent en ne se mêlant pas les uns aux autres.
Lord Agni (teaching the sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Samanya","practical_application":"Differentiate and practice distinct śabdālaṅkāras (including anuprāsa and citra) without mixing; useful for composition drills and critique.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"List","entry_title":"Nava-Śabdālaṅkāra and Asaṅkara (Non-mixture) Principle","lookup_keywords":["nava alaṅkāra","anuprāsa","citra","duṣkara","asaṅkara"],"quick_summary":"The verse points to a set of word-ornaments (including vākovākya, anuprāsa, citra, duṣkara) and stresses asaṅkara—keeping each device conceptually distinct."}
Alamkara Type: Anuprāsa; Citra; (and other śabdālaṅkāras as a set)
Concept: Lakṣaṇa-bheda (distinct defining marks) and asaṅkara in śāstric analysis
Application: When analyzing a verse, identify the dominant śabdālaṅkāra by its defining feature (sound-pattern, arrangement, difficulty) rather than forcing multiple labels.
Khanda Section: Sahitya-shastra (Alankara & Kavya-lakshana)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A manuscript diagram showing nine word-ornaments as separate boxes; a teacher emphasizes ‘asaṅkara’ by keeping lines unconnected between categories.","kerala_mural_prompt":"Kerala mural, teacher with stylus drawing nine compartments on palm-leaf, each labeled with śabdālaṅkāra names (anuprāsa, citra, etc.), bold decorative borders, didactic posture","tanjore_prompt":"Tanjore painting, ornate framed chart of nine śabdālaṅkāras held by a guru, gold-leaf accents on the manuscript edges, disciples attentive, rich temple-like interior","mysore_prompt":"Mysore style instructional illustration: clean labeled grid of nava-alaṅkāra, teacher pointing to ‘asaṅkara’ note, muted colors, clarity-focused composition","mughal_miniature_prompt":"Mughal miniature of a kitabkhana (library workshop), scholars comparing pages, one page shows separated headings for anuprāsa/citra/duṣkara, meticulous calligraphy and margins"}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: वाकः+वाक्यम्→वाकोवाक्यम्; अनुप्रासः+चित्रम्→अनुप्रासश्चित्रम्; इति+असङ्करात्→इत्यसङ्करात्; ‘ज्णेया’ पाठे ‘ज्ञेयाः’ (orthographic) ग्रहणम्
Related Themes: Agni Purana 341 (continuation: definitions of chāyā and allied śabdālaṅkāras)
FAQs
It imparts kavya-śāstra knowledge: a classification of śabdālaṅkāras (sound-based poetic ornaments), naming figures like anuprāsa (alliteration) and citra (patterned/ingenious composition) as distinct categories.
Beyond theology and ritual, the Agni Purana preserves systematic literary theory, showing that it also functions as a handbook of Sanskrit poetics (alankāra-śāstra) alongside its many other disciplines.
While primarily technical, it supports dharmic cultivation through refined speech and disciplined learning; mastering śāstra and using well-formed language is traditionally treated as a meritorious form of self-purification and right expression (vāṅmaya-saṃskāra).