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Agni Purana — Mantra-shastra, Shloka 21

Chapter 306 — त्रैलोक्यमोहनमन्त्राः

Mantras for Enchanting the Three Worlds

शक्तयो ऽन्ते प्रयोज्यादौ सुरेशाद्याश् च दण्डिना पीते लक्ष्मीसरस्वत्यौ रतिप्रीतिजयाः सिताः

śaktayo 'nte prayojyādau sureśādyāś ca daṇḍinā pīte lakṣmīsarasvatyau ratiprītijayāḥ sitāḥ

Les Śakti doivent être placées à la fin (du rite) ; et, au commencement, elles doivent être invoquées avec Indra et les autres dieux, ainsi qu’avec le Porteur du bâton (Daṇḍin). Lakṣmī et Sarasvatī sont à visualiser en jaune ; Rati, Prīti et Jayā en blanc.

śaktayaḥpowers / Śaktis
śaktayaḥ:
Karta (कर्ता)
TypeNoun
Rootśakti (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन (Nominative, Plural)
anteat the end
ante:
Adhikarana (अधिकरण)
TypeNoun
Rootanta (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी, एकवचन (Locative, Singular)
prayojyāto be applied/placed
prayojyā:
Vidhi (विधेय/आदेश)
TypeVerb
Root√yuj (धातु)
Formक्तव्य/य-प्रत्ययान्त कृदन्त (gerundive), स्त्रीलिङ्ग, प्रथमा, एकवचन; ‘to be applied/placed’
ādauat the beginning
ādau:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootādi (प्रातिपदिक)
Formसप्तमी-एकवचनरूपेण अव्ययीभूत (adverbial locative)
sureśa-ādyāḥthose beginning with Sureśa (Indra etc.)
sureśa-ādyāḥ:
Karta (कर्ता)
TypeNoun
Rootsureśa (प्रातिपदिक) + ādi (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; ‘beginning with Sureśa’
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय
daṇḍināwith the staff-bearer (Daṇḍin)
daṇḍinā:
Karana (करण)
TypeNoun
Rootdaṇḍin (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, एकवचन (Instrumental, Singular)
pīteyellow (both)
pīte:
Visheshana (विशेषण)
TypeAdjective
Rootpīta (कृदन्त/प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, द्विवचन (Nominative, Dual); विशेषण (for lakṣmī-sarasvatyau)
lakṣmī-sarasvatyauLakṣmī and Sarasvatī
lakṣmī-sarasvatyau:
Karta (कर्ता)
TypeNoun
Rootlakṣmī (प्रातिपदिक) + sarasvatī (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, द्विवचन; समासः द्वन्द्वः
rati-prīti-jayāḥRati, Prīti, and Jayā
rati-prīti-jayāḥ:
Karta (कर्ता)
TypeNoun
Rootrati (प्रातिपदिक) + prīti (प्रातिपदिक) + jayā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; समासः द्वन्द्वः
sitāḥwhite
sitāḥ:
Visheshana (विशेषण)
TypeAdjective
Rootsita (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, बहुवचन; विशेषण (for rati-prīti-jayāḥ)

Lord Agni (in dialogue tradition, instructing Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Ritual sequencing and dhyāna-color coding: when to apply Śaktis (end) and when to invoke deities (beginning), plus prescribed varṇa (colors) for specific goddesses for visualization and yantra/mandala painting.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Śakti-prayoga-krama and devī-varṇa-dhyāna (Lakṣmī–Sarasvatī etc.)","lookup_keywords":["shakti prayoga","dhyana colors","Lakshmi yellow","Sarasvati yellow","Rati Priti Jaya white"],"quick_summary":"Apply Śaktis at the conclusion of the rite; invoke Indra and others at the start with Daṇḍin; visualize Lakṣmī and Sarasvatī as yellow, and Rati–Prīti–Jayā as white to stabilize the ritual imagination and iconography."}

Concept: Ritual power depends on krama (sequence) and dhyāna (precise visualization), including color as a carrier of śakti and function.

Application: In pūjā/yantra work, keep a fixed order (ādau/ante) and maintain consistent color-visualizations for each devī to avoid ‘saṅkara’ (mixing) in contemplation.

Khanda Section: Puja-vidhi / Mantra-nyasa and Shakti-invocation (Tantric-ritual sequencing)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritual mandala where deities are arranged by sequence; Lakṣmī and Sarasvatī painted in yellow hues; Rati, Prīti, Jayā in white; Indra and other devas invoked at the beginning; a staff-bearing Daṇḍin present as a guardian/attendant.","kerala_mural_prompt":"Kerala mural, circular mandala with deity registers; Lakṣmī and Sarasvatī in warm yellow garments; Rati–Prīti–Jayā in white; Indra with vajra; Daṇḍin holding staff; clear separation of beginning vs end zones in composition.","tanjore_prompt":"Tanjore, gold-leaf halos, Lakṣmī and Sarasvatī in yellow silk with heavy jewelry; Rati–Prīti–Jayā in white; Indra and Daṇḍin flanking; ornamental borders emphasizing ritual order.","mysore_prompt":"Mysore, didactic layout with labeled color swatches beside each devī; calm palette; Daṇḍin with staff; Indra and devas at top (beginning), Śaktis at bottom (end) to show sequencing.","mughal_miniature_prompt":"Mughal miniature manuscript page, neatly separated panels: opening invocation with Indra and Daṇḍin; concluding panel with Śaktis; subtle color symbolism—yellow for Lakṣmī/Sarasvatī, white for Rati/Prīti/Jayā; fine calligraphy notes."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Kalyan","pace":"slow","voice_tone":"instructional"}

Sandhi Resolution Notes: śaktayo 'nte → śaktayaḥ + ante; sureśādyāś → sureśa-ādyāḥ.

Related Themes: Agni Purāṇa 306 (Śakti-invocation and attendant-deity arrangements)

S
Shaktis
I
Indra (Sureśa)
D
Daṇḍin
L
Lakṣmī
S
Sarasvatī
R
Rati
P
Prīti
J
Jayā

FAQs

It gives a precise ritual sequence: when to apply/invoke Śaktis (at the conclusion), which deities accompany the opening invocation (Indra and others, plus Daṇḍin), and the required visualization-colors for specific goddesses.

Beyond mythic narration, it preserves procedural worship-technology—devatā-krama (ordering of deities), nyāsa timing, and dhyāna specifications—showing the Agni Purana as a compendium of practical ritual instruction.

Correct sequencing and color-dhyāna are treated as essential for mantra efficacy and purity of worship, aligning the practitioner’s mind with the intended divine energies and thereby supporting auspicious results (śubha-phala) and ritual completeness.