गङ्गामाहात्म्यं
The Greatness of the Gaṅgā
सकलाघहरी देवी स्वर्गलोकप्रदायिनी यावदस्थि च गङ्गायां तावत् स्वर्गे स तिष्ठति
sakalāghaharī devī svargalokapradāyinī yāvadasthi ca gaṅgāyāṃ tāvat svarge sa tiṣṭhati
La Déesse Gaṅgā efface tous les péchés et accorde le monde céleste. Aussi longtemps que les restes osseux d’un homme demeurent dans la Gaṅgā, aussi longtemps il séjourne au ciel.
Lord Agni (narrating to Sage Vasiṣṭha in the Agni Purana’s frame dialogue)
Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Samanya","practical_application":"Funerary and post-death rites orientation: encourages immersion of asthi (bone-remains) in Gaṅgā as a means to secure heavenly attainment for the departed.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Description","entry_title":"Asthi-visarjana in Gaṅgā and duration of svarga-sthiti","lookup_keywords":["asthi-visarjana","Gaṅgā","svarga-loka","pāpa-haraṇī","antyeṣṭi"],"quick_summary":"Gaṅgā is praised as sin-destroying and heaven-bestowing; the verse asserts a direct linkage between the presence of bone-remains in Gaṅgā and the departed’s continued stay in heaven."}
Alamkara Type: Guṇa-kīrtana (eulogy) with phala-śruti
Concept: Antyeṣṭi-related tīrtha-karma: post-mortem rites at a supreme tīrtha are portrayed as efficacious for the preta/pitṛ trajectory.
Application: Perform asthi-visarjana in Gaṅgā with śrāddha/tarpaṇa and remembrance, aligning family ritual duty with the text’s promised phala.
Khanda Section: Tirtha-mahatmya (Ganga-snana and merit of immersion of remains)
Primary Rasa: Śānta
Secondary Rasa: Karुण
Type: River/Tirtha
Visual Art Cues: {"scene_description":"A family at a Gaṅgā ghat immerses a small urn of bone-remains; Gaṅgā appears as a compassionate goddess; above, a serene svarga realm indicates the promised heavenly stay.","kerala_mural_prompt":"Kerala mural: solemn ghat scene with priests chanting, family offering flowers and sesame; Gaṅgā Devī emerging from waves with blessing gesture; upper register shows svarga with soft golden tones.","tanjore_prompt":"Tanjore: Gaṅgā Devī central with gold halo; below, asthi-visarjana ritual with ornate vessels; gold foil accents on river ripples and offerings; calm devotional composition.","mysore_prompt":"Mysore: clear ritual depiction—urn, offerings, priest with mantra posture; gentle expressions; minimal background; emphasis on procedure and reverence.","mughal_miniature_prompt":"Mughal miniature: detailed riverside funeral-rite vignette with attendants, priests, and steps; translucent water; distant celestial pavilion symbolizing svarga; refined linework and muted palette."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Todi","pace":"slow","voice_tone":"contemplative"}
Sandhi Resolution Notes: Resolved: सकलाघहरी→सकल + अघ + हरी; स्वर्गलोकप्रदायिनी→स्वर्गलोक + प्रदायिनी; यावदस्थि→यावत् + अस्थि.
Related Themes: Agni Purāṇa: śrāddha/antyeṣṭi-related materials (where present) and tīrtha-phala passages contiguous to Gaṅgā-māhātmya
It teaches the tirtha-vidhi principle that placing/immersing the deceased’s bone-remains (asthi) in the Gaṅgā is a merit-bearing act (puṇya) linked to purification and heavenly attainment.
It exemplifies the Purana’s tirtha-mahātmya and post-funeral ritual guidance (antyeṣṭi-associated practice), documenting practical religious observances alongside broader theology and dharma.
The verse frames Gaṅgā as a universal purifier (sakalāghaharī) and states a proportional karmic fruit: the continued presence of asthi in Gaṅgā corresponds to continued residence in svarga.