Skanda Purana — Mahesvara Khanda, Shloka 66
तत्र ध्वनिर्नादमयो वर्णाश्चाकारपूर्वकाः । पदं शा वमि ति प्रोक्तं वाक्यं चेति शिवं भजेत्
tatra dhvanirnādamayo varṇāścākārapūrvakāḥ | padaṃ śā vami ti proktaṃ vākyaṃ ceti śivaṃ bhajet
Allí, el sonido (dhvani) es de la naturaleza de la resonancia (nāda); las letras comienzan con la vocal «a». La palabra se enseña como «śā–va–mi», y también la frase—por ello, comprendiendo el habla sagrada, debe adorarse a Śiva.
Unspecified (instructional voice)
Scene: A meditator hears inner nāda as concentric sound-waves rising to a radiant Śiva-linga. Letters beginning with ‘a’ appear as luminous glyphs. The mantra segments ‘śā–va–mi’ are shown as three glowing syllabic beads forming a garland offered to Śiva.
FAQs
Śiva is approached through śabda: recognizing sound (nāda) and articulated speech as a sacred pathway supports Śiva-upāsanā.
No; the verse emphasizes sonic theology (nāda/śabda) rather than a geographical māhātmya.
An implicit prescription of Śiva-bhajana/upāsanā through contemplation/recitation of structured speech, though no formal vrata is detailed.