समुद्रतट-प्रयाणम् तथा वेलावन-निवेशः
March to the Seacoast and Encampment at the Shore
गिरिप्रस्थेषु रम्येषु सर्वत सम्प्र पुष्पिताः । केतकस्सिन्दुवाराश्च वासन्त्यश्च मनोरमाः ।।6.4.79।। माधव्यो गन्धपूर्णाश्च कुन्दगुल्माश्च पुष्पिताः ।चिरिबिल्वा मधूकाश्च वञ्जुला प्रियकास्तथा ।।6.4.80।।सुफूर्जकास्तिलकाश्चैव नागवृक्षाश्च पुष्पिताः ।चूताः पाटलयकाश्चैव कोविदाराश्च पुष्पिताः ।।6.4.81।। मुचुलिन्दार्जुनाश्चैव शिंशुपाः कुटजास्तथा । धवा श्शाल्मलयश्चैव रक्ता: कुरवकास्तथा ।।6.4.82।। हिन्तालास्तिनिशाश्चैव चूर्णका नीपकास्तथा ।नीलाशोकाश्च वरणा अङ्कोलाः पद्मकास्तथा ।।6.4.83।। प्लवमानै: प्लवंगैस्तु सर्वे पर्याकुलीकृतां ।।6.4.84।।
mādhavyo gandhapūrṇāś ca kundagulmāś ca puṣpitāḥ |
ciribilvā madhūkāś ca vañjulā priyakās tathā ||6.4.80||
Allí también había enredaderas mādhavī cargadas de fragancia, y plantas de kunda y gulma en plena floración; asimismo chiribilva y madhūka, y también vañjula y priyaka, floreciendo por doquier.
In the mountain ranges were well blossomed trees such as Kethaka, Sinduvaara and Mango trees Manorama, Madhavi, Kunda, Gulma creepers filled with blossoms of fragrance Chiribilva, Madhuka like wild trees,Vajula,Vakula ,Ranjaka, Tilaka,Kuruvaka, Naga trees Patalaya trees trees with red flowers Arjuna, Simsupa trees with white flowers Kutaja, Dhava and Salmala, Red Kurana, Hinthala,Tinisa,and Churanaka trees, so also dark flowered Asoka trees, Pine trees, Ankola and Padmaka trees were convenient for the monkeys to shake and jump.
By depicting an ordered, flourishing landscape at a crucial moment, the text frames the coming conflict within a cosmos that responds to rightful purpose—dharma is shown not only in conduct but also in the harmony and auspiciousness surrounding a just cause.
Satya here appears as faithful witnessing: the narrator reports the scene plainly and precisely, grounding the epic’s moral claims in an observable world and reinforcing trust in the narrative’s account.