Shloka 19
Invocation and the Naimiṣa Assembly: Sūta’s Arrival and the Request to Recount the Padma Purāṇa
सूत उवाच । साधुसाधु महाभागाः साधुपृष्टं तपोधनाः । तं प्रणम्य प्रवक्ष्यामि पुराणं पद्मसंज्ञकम्
sūta uvāca | sādhusādhu mahābhāgāḥ sādhupṛṣṭaṃ tapodhanāḥ | taṃ praṇamya pravakṣyāmi purāṇaṃ padmasaṃjñakam
Sūta dijo: «Bien, bien, oh afortunados; oh ricos en austeridad, habéis preguntado bien. Tras inclinarme con reverencia, expondré ahora el Purāṇa llamado Padma».
Sūta
Concept: Right questioning and humble listening sanctify the discourse; the teacher bows to the tradition before speaking.
Application: Approach sacred study with humility: ask sincere questions, honor sources, and begin learning with a brief act of reverence.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: forest
Visual Art Cues: {"scene_description":"In the quiet sanctity of Naimiṣāraṇya, Sūta sits on a kusa-grass seat beneath ancient śamī and aśvattha trees, facing a semicircle of austere sages. With palms joined and head bowed, he praises their well-formed question, as palm-leaf manuscripts and a lotus-emblem banner hint at the Padma Purāṇa about to unfold.","primary_figures":["Sūta","assembled ṛṣis (Śaunaka and sages)"],"setting":"Forest hermitage clearing with yajña-kuṇḍa, deer moving at the edge, manuscripts on a low wooden stand, water pot and darbha grass.","lighting_mood":"forest dappled","color_palette":["sandalwood beige","leaf green","ochre","smoke gray","lotus pink"],"tanjore_prompt":"Tanjore painting style: Sūta in saffron robes seated on a raised wooden pīṭha, hands in añjali, facing haloed sages; gold leaf embellishment on halos, manuscript edges, and lotus motifs; rich reds and greens, gem-studded ornaments on ritual vessels, traditional South Indian iconographic symmetry, ornate floral border with padma emblems.","pahari_prompt":"Pahari miniature style: Naimiṣāraṇya forest clearing with delicate brushwork, slender trees and soft hills in the distance; Sūta and sages with refined facial features, cool greens and muted ochres; lyrical naturalism with a small yajña fire, water pot, and palm-leaf manuscripts rendered with fine linework.","kerala_mural_prompt":"Kerala mural style: Bold black outlines, flat yet vibrant natural pigments; Sūta and sages in stylized poses, large expressive eyes; temple-wall aesthetic forest backdrop with patterned foliage; dominant red/yellow/green palette, lotus medallions framing the scene.","pichwai_prompt":"Pichwai cloth painting style: A devotional assembly scene framed by intricate floral borders and lotus motifs; deep indigo background with gold highlights; sages arranged symmetrically like a satsang, with peacocks and cows at the margins; subtle padma symbols indicating the Padma Purāṇa’s auspicious beginning."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bells","forest birds","crackling sacrificial fire","gentle silence between verses"]}
Sandhi Resolution Notes: साधुसाधु = साधु + साधु (पुनरुक्ति); पद्मसंज्ञकम् = पद्म + संज्ञकम्.
FAQs
It serves as an opening affirmation: Sūta praises the sages’ proper inquiry and formally begins the exposition of the Padma Purāṇa.
It describes ascetics for whom austerity (tapas) is their true “wealth,” indicating spiritual authority and disciplined practice.
It reflects the traditional Purāṇic etiquette of reverence—treating the scripture and its lineage as sacred before teaching it.