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Shloka 83

Kroṣṭu–Yādava Lineages, the Syamantaka Jewel, Krishna’s Birth Context, and the Māyāmoha Account

ततश्शब्दं यथापूर्वं स चक्रे ऋक्षराड्बली । शब्दं श्रुत्वा तु गोविंदः खङ्गपाणिः प्रविश्य च

tataśśabdaṃ yathāpūrvaṃ sa cakre ṛkṣarāḍbalī | śabdaṃ śrutvā tu goviṃdaḥ khaṅgapāṇiḥ praviśya ca

Entonces el poderoso rey de los osos emitió de nuevo el mismo sonido que antes. Al oírlo, Govinda, con la espada en la mano, entró.

tataḥThen / From that
tataḥ:
Adhikaraṇa (Locative/Temporal context)
TypeIndeclinable
Roottad (तद्)
FormAdverb (Tasil suffix indicating ablative sense)
śabdamSound / Noise
śabdam:
Karma (Object)
TypeNoun
Rootśabda (शब्द)
FormMasculine, Accusative (2nd), Singular
yathāpūrvamAs before
yathāpūrvam:
Kriya-visheshana (Adverb)
TypeIndeclinable
Rootyathāpūrva (यथापूर्व)
FormAdverbial Compound
saḥHe
saḥ:
Karta (Subject)
TypeNoun
Roottad (तद्)
FormMasculine, Nominative (1st), Singular
cakreMade / Did
cakre:
Kriya (Verb)
TypeVerb
Rootkṛ (कृ)
FormLit Lakara (Perfect), Atmanepada, Prathama Purusha, Singular
ṛkṣarāṭKing of Bears
ṛkṣarāṭ:
Karta (Subject)
TypeNoun
Rootṛkṣarāj (ऋक्षराज्)
FormMasculine, Nominative (1st), Singular
balīStrong / Powerful
balī:
Visheshana (Qualifier)
TypeAdjective
Rootbalin (बलिन्)
FormMasculine, Nominative (1st), Singular
śabdamSound
śabdam:
Karma (Object)
TypeNoun
Rootśabda (शब्द)
FormMasculine, Accusative (2nd), Singular
śrutvāHaving heard
śrutvā:
Purvakalika Kriya (Prior Action)
TypeIndeclinable
Rootśru (श्रु)
FormKtva Pratyaya (Gerund/Absolutive)
tuBut / Indeed
tu:
Sambandha (Connection)
TypeIndeclinable
Roottu (तु)
FormConjunction/Particle
govindaḥGovinda (Krishna)
govindaḥ:
Karta (Subject)
TypeNoun
Rootgovinda (गोविन्द)
FormMasculine, Nominative (1st), Singular
khaṅgapāṇiḥSword in hand
khaṅgapāṇiḥ:
Visheshana (Qualifier)
TypeAdjective
Rootkhaṅgapāṇi (खङ्गपाणि)
FormMasculine, Nominative (1st), Singular
praviśyaHaving entered
praviśya:
Purvakalika Kriya (Prior Action)
TypeIndeclinable
Rootpraviś (प्रविश्)
FormLyap Pratyaya (Gerund/Absolutive)
caAnd
ca:
Samuccaya (Conjunction)
TypeIndeclinable
Rootca (च)
FormConjunction

Narrator (contextual epic narration; specific dialogue speaker not explicit in this single verse)

Concept: Bhagavan responds to the call of beings; divine protection is active, not abstract.

Application: When duty calls—especially to protect or correct—enter with clarity and preparedness rather than hesitation.

Primary Rasa: vira

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A shadowed cavern-mouth or forest clearing trembles with a repeated, thunder-like bear-call. Govinda strides in with sword raised, eyes steady, aura luminous—divinity entering a raw, primal arena where dharma will be tested.","primary_figures":["Govinda (Vishnu)","Ṛkṣarāṭ (bear-king, implied Jāmbavān)"],"setting":"Rocky cave entrance or dense forest clearing with claw-marked stones and drifting dust from the roar","lighting_mood":"divine radiance cutting through gloom","color_palette":["sapphire blue","smoky charcoal","golden amber","crimson vermilion","silver steel"],"tanjore_prompt":"Tanjore painting style: Govinda entering a dark cave-mouth, sword in hand, haloed with gold leaf; ornate crown and gem-studded ornaments, rich red-green textiles, stylized rocks and floral borders, the bear-king’s roar shown as curling golden sound-waves; heavy gold embossing on weapons and jewelry.","pahari_prompt":"Pahari miniature style: a Himalayan-forest clearing with cool greys and pine greens; Govinda in deep blue with delicate facial features steps toward a cave, sword angled; the bear-king’s call suggested by fluttering leaves and startled birds; fine brushwork, lyrical naturalism, misty distance hills.","kerala_mural_prompt":"Kerala mural style: bold black outlines, Govinda with large expressive eyes and radiant yellow aura, sword gleaming; cave rendered in earthy reds and browns; stylized sound-rings around the bear-king; temple-wall aesthetic with rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: Govinda as the central figure in deep blue, framed by lotus and floral borders; the cave and forest simplified into decorative motifs; peacocks and cows at the periphery startled by the roar; intricate gold detailing and patterned textiles."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["distant roar","temple bells (subtle)","conch shell (soft cue)","rustling forest","echoing cave ambience"]}

Sandhi Resolution Notes: tataśśabdaṃ = tataḥ + śabdam (Visarga Sandhi); ṛkṣarāḍbalī = ṛkṣarāṭ + balī (Jashvta Sandhi)

G
Govinda
Ṛkṣarāṭ (lord of bears)

FAQs

A powerful “lord of bears” repeats a previously made sound, and Govinda hears it and enters, holding a sword.

Govinda is a name of Viṣṇu (often also used for Kṛṣṇa), indicating divine presence and protective intervention in the narrative.

It portrays swift divine responsiveness—when a sign or call is made, the Lord arrives prepared to protect and restore order.