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Shloka 51

Episode of Vena: The Power of Association and Revā (Narmadā) Tīrtha

पितुःकर्म विमृश्यैव क्रीडमाना सदैव सा । प्रजानां शास्ति कर्तारं पुण्यपापनिरीक्षणम्

pituḥkarma vimṛśyaiva krīḍamānā sadaiva sā | prajānāṃ śāsti kartāraṃ puṇyapāpanirīkṣaṇam

Meditando en las obras de su padre, ella permanece siempre en el juego; y, sin embargo, es la castigadora de los seres, la ejecutora de la disciplina y la examinadora del mérito y del pecado.

पितुःof (her) father
पितुः:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootपितृ (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/Genitive), एकवचन
कर्मdeed, action
कर्म:
Karma (Object/कर्म)
TypeNoun
Rootकर्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
विमृश्यhaving reflected
विमृश्य:
Kriyāviśeṣaṇa (Adverbial modifier/क्रियाविशेषण)
TypeVerb
Rootवि√मृश् (धातु)
Formक्त्वान्त (Absolutive/Gerund), अव्ययभाव; ‘having reflected/considered’
एवindeed, just
एव:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formनिपात (particle/emphasis)
क्रीडमानाplaying, sporting
क्रीडमाना:
Karta (Subject/कर्ता)
TypeVerb
Rootक्रीड् (धातु)
Formवर्तमानकाले शतृ-प्रत्यय (Present active participle), स्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन
सदाalways
सदा:
Kriyāviśeṣaṇa (Adverbial modifier/क्रियाविशेषण)
TypeIndeclinable
Rootसदा (अव्यय)
Formकालवाचक-अव्यय (adverb of time)
एवindeed
एव:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formनिपात (particle/emphasis)
साshe
सा:
Karta (Subject/कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), एकवचन; सर्वनाम
प्रजानाम्of the subjects/people
प्रजानाम्:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootप्रजा (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (6th/Genitive), बहुवचन
शास्तिrules, governs, disciplines
शास्ति:
Kriyā (Main action/क्रिया)
TypeVerb
Root√शास् (धातु)
Formलट् (Present), परस्मैपद, प्रथमपुरुष (3rd person), एकवचन
कर्तारम्the doer/agent (ruler)
कर्तारम्:
Karma (Object/कर्म)
TypeNoun
Rootकर्तृ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
पुण्यपापनिरीक्षणम्the examination of merit and sin
पुण्यपापनिरीक्षणम्:
Karma (Object/कर्म)
TypeNoun
Rootपुण्य (प्रातिपदिक) + पाप (प्रातिपदिक) + निरीक्षण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; समासः—पुण्यपापयोः निरीक्षणम् (षष्ठी-तत्पुरुष)

Unspecified (narrative verse; speaker not explicit in the provided excerpt)

Concept: True governance of beings requires discernment of puṇya and pāpa; even while ‘at play’ (līlā-like ease), the cosmic order remains vigilant and corrective.

Application: Adopt self-audit: daily reflection on actions and motives; practice gentle discipline—firm on principles, light in ego.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"Sunīthā appears as a youthful maiden moving through the worlds with effortless grace, smiling as if in play, yet her eyes are keen and discerning. Around her, faint silhouettes of beings are weighed by invisible scales; luminous threads of puṇya glow gold while pāpa appears as smoky knots, all observed without malice, only order.","primary_figures":["Sunīthā"],"setting":"A symbolic cosmic corridor spanning village, forest, and subtle realms—layers of existence blended like a moral mandala.","lighting_mood":"moonlit with lucid clarity","color_palette":["pearl white","cool silver","saffron gold","smoky violet","deep teal"],"tanjore_prompt":"Tanjore painting style: Sunīthā centered with a large gold-leaf halo, holding a delicate balance-scale and a stylus; surrounding medallions show tiny vignettes of human actions turning into gold or shadow, rich reds/greens, ornate arch (prabhāmaṇḍala), gem-studded jewelry, symmetrical composition.","pahari_prompt":"Pahari miniature style: Sunīthā strolling in a stylized landscape, playful posture, refined facial features; subtle translucent scales float near her hand, cool blues and silvers, fine floral borders, gentle narrative lyricism.","kerala_mural_prompt":"Kerala mural style: Sunīthā with bold outlines and large eyes, one hand in a playful gesture, another holding a manuscript; background patterned with symbolic motifs of merit/sin as gold and dark spirals, earthy reds and yellows with green accents.","pichwai_prompt":"Pichwai cloth painting style: Sunīthā framed by lotus vines and ornate borders; repeated motifs of tiny scales and palm-leaf manuscripts among lotuses, deep indigo ground with gold detailing, devotional symmetry and textile-like intricacy."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft ankle bells","gentle wind","brief bell chime at cadence"]}

Sandhi Resolution Notes: पितुःकर्म = पितुः + कर्म; विमृश्यैव = विमृश्य + एव; पुण्यपापनिरीक्षणम् = पुण्य + पाप + निरीक्षणम् (समास).

FAQs

It portrays a feminine figure who, despite appearing playful, performs a serious cosmic-ethical role: disciplining beings and assessing their merit (puṇya) and sin (pāpa).

It implies moral accounting—an overseeing principle or agent that evaluates actions and their ethical consequences, aligning outcomes with dharma.

That moral order operates continuously: actions are considered, and beings are held accountable through discipline and evaluation of virtue and wrongdoing.