Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
ततो रेखात्रयं कुर्यात्खदिरांगारकेण च । मार्जयेद्वामपादेन मंत्राभ्यां च समाहिता ॥ १०१ ॥
tato rekhātrayaṃ kuryātkhadirāṃgārakeṇa ca | mārjayedvāmapādena maṃtrābhyāṃ ca samāhitā || 101 ||
Luego debe trazar tres líneas con carbón de madera de khadira; y, con la mente recogida, debe borrarlas (o alisarlas) con el pie izquierdo mientras recita los dos mantras.
Sanatkumara (teaching Narada a technical/ritual procedure in the Third Pada context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It emphasizes disciplined ritual exactness—material purity (khadira charcoal), bodily action (wiping with the left foot), and mental focus (samāhitā) unified through mantra, showing that efficacy depends on coordinated outer and inner practice.
While primarily procedural, it reflects bhakti through careful, reverent execution of prescribed acts and mantras—devotion expressed as attentive obedience to sacred method rather than mere emotion.
It highlights ritual-technique: correct materials (khaḍira), prescribed markings (three lines), coordinated bodily gesture, and mantra-recitation—an applied, technical aspect aligned with Kalpa (ritual procedure) and mantra-prayoga.