Adhyaya 8 — Vasu's Redemption
तथास्य नासिका तुङ्गा अग्रतोऽधोमुखं गता ।
दन्ताश्च मुकुलप्रख्याः ख्यातकीर्तेर्महात्मनः ॥
tathāsya nāsikā tuṅgā agrato 'dhomukhaṃ gatā |
dantāś ca mukula-prakhyāḥ khyāta-kīrter mahātmanaḥ ||
Y su nariz—alta—se inclinaba hacia abajo en la parte frontal; y sus dientes eran como brotes—tales eran los rasgos de aquel magnánimo varón de fama renombrada.
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Even in extreme reversal, the narrative insists on continuity: the same person endures beneath altered circumstances, inviting reflection on the difference between essence and social appearance.
Not directly pañcalakṣaṇa; it supports vaṃśānucarita-style moral biography by grounding the king’s identity in concrete narrative detail.
Lakṣaṇas (marks) can be read as ‘saṃskāra-signatures’: the past (kīrti, merit, identity) leaves impressions that are not erased by present suffering.