Bhīṣma’s Stuti of Keśava and Counsel on Nara–Nārāyaṇa (भीष्म-स्तवः; नरनारायण-प्रसङ्गः)
शड्खस्वनास्तूर्यरथस्वनाश्न सर्वेष्वनीकेषु ससिंहनादा: । तत:ः: सबाणानि महास्वनानि विस्फार्यमाणानि धनूंषि वीरै:
saṅkhasvanās tūryarathasvanāś ca sarveṣv anīkeṣu sa-siṃhanādāḥ | tataḥ sa-bāṇāni mahāsvanāni visphāryamāṇāni dhanūṃṣi vīraiḥ || dhanuḥvedavido mukhyā ajeyāḥ śatrubhir yudhi | sahatāputraṃ jighāṃsantaṃ parivavruḥ kirīṭinam ||
Sañjaya dijo: En todas las divisiones del ejército se alzaron a la vez el clamor de las caracolas, el sonido de trompetas e instrumentos, el retumbar de los carros y los rugidos leoninos de los guerreros. Luego resonó el poderoso chasquido de los arcos al tensarse—con las flechas ya encajadas—mientras los héroes se aprestaban a herir. Maestros consumados del tiro con arco, invencibles para los enemigos en combate, rodearon al Arjuna coronado con diadema, con la intención de matarlo junto con su hijo.
संजय उवाच
The verse highlights how war amplifies collective intent: disciplined skill (dhanuḥveda) and coordinated force can be directed toward a single objective—here, the attempted killing of Arjuna and his son—reminding the reader of the grave ethical weight of martial resolve and the consequences of choosing violence as a means.
Sañjaya describes the battlefield erupting with conches, instruments, chariots, and war-cries; then bows are drawn with arrows set, producing a loud twang. Foremost archers, deemed hard to defeat in combat, close in and surround Arjuna (the diadem-wearer), intent on killing him along with his son.