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Shloka 29

वंशानुकीर्तनम् — Genealogical Recitation from Dakṣa to Yayāti and the Establishment of the Paurava Line

अलंकृतं द्वीपवत्या मालिन्या रम्यतीरया । नरनारायणस्थानं गड़येवोपशोभितम्‌,टापुओंसे युक्त तथा सुरम्य तटवाली मालिनी नदीसे सुशोभित वह आश्रम गंगा नदीसे शोभायमान भगवान्‌ नर-नारायणके आश्रम-सा जान पड़ता था

alaṅkṛtaṃ dvīpavatyā mālinyā ramyatīrayā | nara-nārāyaṇasthānaṃ gaṅgayevopaśobhitam ||

Dijo Vaiśampāyana: El eremitorio, engalanado por el río Mālinī —rico en islotes y de riberas hermosas—, parecía espléndido, como si lo adornara el propio Gaṅgā, semejante a la morada sagrada de Nara y Nārāyaṇa. La descripción enmarca el lugar como un escenario cargado de sentido moral: la pureza del paisaje refleja la pureza del propósito, preparando al oyente para una acción disciplinada y conforme al dharma en una atmósfera de santidad.

अलंकृतम्adorned, decorated
अलंकृतम्:
Karta
TypeAdjective
Rootअलंकृत (√कृ + अलम्)
FormNeuter, Nominative, Singular
द्वीपवत्याwith islands / island-bearing
द्वीपवत्या:
Karana
TypeAdjective
Rootद्वीपवत्
FormFeminine, Instrumental, Singular
मालिन्याby/with (the river) Mālinī
मालिन्या:
Karana
TypeNoun
Rootमालिनी
FormFeminine, Instrumental, Singular
रम्यतीरयाhaving lovely banks
रम्यतीरया:
Karana
TypeAdjective
Rootरम्यतीरा
FormFeminine, Instrumental, Singular
नरनारायणस्थानम्the abode/seat of Nara-Nārāyaṇa
नरनारायणस्थानम्:
Karta
TypeNoun
Rootनरनारायणस्थान
FormNeuter, Nominative, Singular
गङ्गयाby/with the Gaṅgā
गङ्गया:
Karana
TypeNoun
Rootगङ्गा
FormFeminine, Instrumental, Singular
इवas if, like
इव:
TypeIndeclinable
Rootइव
उपशोभितम्beautified, made splendid
उपशोभितम्:
Karta
TypeAdjective
Rootउपशोभित (उप + √शुभ/शोभ्)
FormNeuter, Nominative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
M
Mālinī (river)
G
Gaṅgā (river)
N
Nara
N
Nārāyaṇa
Ā
āśrama (hermitage)

Educational Q&A

Sacred surroundings are portrayed as supporting dharmic discipline: the purity and beauty of the hermitage—likened to the Gaṅgā and to Nara-Nārāyaṇa’s abode—signals a setting fit for restraint, study, and righteous conduct.

The narrator describes an āśrama landscape: the Mālinī river with islets and charming banks adorns the hermitage, and the place is compared to the holy Gaṅgā and to the revered sanctuary of Nara and Nārāyaṇa, emphasizing its sanctity.