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Shloka 4

Vālakhilya-Tapas and the Birth of Garuḍa (वालखिल्यतपः-गरुडोत्पत्तिः)

विचित्रफलपुष्पाभिववनराजिभिरावृतम्‌ । भवनैरावृतं रम्यैस्तथा पद्माकरैरपि,विचित्र फूलों और फलोंसे भरी हुई वनश्रेणियाँ उस दिव्य वनको घेरे हुए थीं। वह वन बहुत-से रमणीय भवनों और कमलयुक्त सरोवरोंसे आवृत था

vicitra-phala-puṣpābhivana-rājibhir āvṛtam | bhavanair āvṛtaṁ ramyais tathā padmākarair api ||

Dijo Bhīṣma: Aquel bosque divino estaba ceñido por franjas de selva espesa, colmada de frutos y flores de múltiples colores. Y por doquier se veía aún más engalanado con numerosas mansiones deleitosas y con lagos rebosantes de lotos: una imagen de belleza ordenada y de prosperidad auspiciosa, que enmarca la escena en una atmósfera dhármica, semejante al cielo.

विचित्रफलपुष्पाभिःwith variegated fruits and flowers
विचित्रफलपुष्पाभिः:
Karana
TypeNoun
Rootविचित्र-फल-पुष्प
FormFeminine, Instrumental, Plural
वनराजिभिःby/with rows (tracts) of forests
वनराजिभिः:
Karana
TypeNoun
Rootवनराजि
FormFeminine, Instrumental, Plural
आवृतम्covered/surrounded
आवृतम्:
Karta
TypeVerb
Rootआ-√वृ (वृञ्)
FormNeuter, Nominative, Singular
भवनैःwith buildings
भवनैः:
Karana
TypeNoun
Rootभवन
FormNeuter, Instrumental, Plural
आवृतम्covered/surrounded
आवृतम्:
Karta
TypeVerb
Rootआ-√वृ (वृञ्)
FormNeuter, Nominative, Singular
रम्यैःbeautiful, delightful
रम्यैः:
Karana
TypeAdjective
Rootरम्य
FormNeuter, Instrumental, Plural
तथाand also/likewise
तथा:
TypeIndeclinable
Rootतथा
पद्माकरैःwith lotus-lakes (lotus-filled ponds)
पद्माकरैः:
Karana
TypeNoun
Rootपद्माकर
FormMasculine, Instrumental, Plural
अपिalso/even
अपि:
TypeIndeclinable
Rootअपि

पितामह उवाच

पितामह (Bhīṣma)
वन (divine forest/woodland)
भवन (mansions/dwellings)
पद्माकर (lotus-lakes/ponds)

Educational Q&A

The verse uses an idealized landscape—fruitful forests, pleasant dwellings, lotus lakes—to signal a dharmic order where beauty, abundance, and harmony arise from auspicious conditions; it sets a moral tone that righteous realms are marked by prosperity and serenity.

Bhīṣma is describing a wondrous woodland scene: it is ringed by forest tracts laden with flowers and fruits and is further surrounded by charming buildings and lotus-filled waters, establishing the setting’s splendor and sanctity.