अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
फुल्लातिमुक्तकलतागृहनीतसिद्धसिद्धाङ्गनाकनकनूपुररावरम्यम् /* रम्यं प्रियङ्गुतरुमञ्जरिसक्तभृङ्गं भृङ्गावलीकवलिताम्रकदम्बपुष्पम्
phullātimuktakalatāgṛhanītasiddhasiddhāṅganākanakanūpurarāvaramyam /* ramyaṃ priyaṅgutarumañjarisaktabhṛṅgaṃ bhṛṅgāvalīkavalitāmrakadambapuṣpam
Aquel bosque auspicioso es deleitoso con el tintinear de los tobilleros de oro de las doncellas siddha que se mueven entre emparrados enlazados por la enredadera atimukta en flor; es encantador con las abejas prendidas a los racimos de priyaṅgu y con los enjambres que se apiñan en torno a las flores de mango y kadamba—un recinto digno del culto a Pati (Śiva) y del alzamiento del paśu, el alma atada por el pāśa.
Suta Goswami (narrating to the sages of Naimisharanya)
It frames the sacred atmosphere—pure, vibrant, and Siddha-frequented—as an outer support for inner concentration, making the place worthy for Liṅga-pūjā where the paśu turns toward Pati through devotion and ritual.
By depicting a realm naturally ordered toward auspiciousness and spiritual delight, it implies Śiva-tattva as the Pati whose presence harmonizes beings and nature, drawing even Siddhas into a state of reverent joy conducive to liberation.
The verse indirectly highlights place-sanctification and dhyāna-supports for Pāśupata-oriented practice—choosing a pure, sattvic setting that steadies the mind for pūjā, japa, and meditative absorption on the Liṅga.