Shloka 57

स्वेच्छाविग्रहसंभव-प्रतिष्ठाफलवर्णनम् (विविधशिवमूर्तिप्रतिष्ठा, लोक-फल, शिवसायुज्य)

Devanagari script

गङ्गया सहितं चैव वामोत्सङ्गे ऽंबिकान्वितम् विनायकं तथा स्कन्दं ज्येष्ठं दुर्गां सुशोभनाम्

Transliteration

gaṅgayā sahitaṃ caiva vāmotsaṅge 'ṃbikānvitam vināyakaṃ tathā skandaṃ jyeṣṭhaṃ durgāṃ suśobhanām

Translation

Y contempló (al Señor) acompañado por Gaṅgā; con Ambikā sentada en su regazo izquierdo—junto con Vināyaka y Skanda, y también con Jyeṣṭhā y la resplandeciente Durgā. Tal es la visión de Śiva como Pati, cuyo hogar de śaktis y asistentes manifiesta su soberanía sustentadora sobre los mundos.

Word by Word

• गङ्गया (gaṅgayā): with Gaṅgā

• सहितम् (sahitam): accompanied

• च एव (caiva): and indeed

• वाम-उत्सङ्गे (vāma-utsaṅge): on the left lap/left side embrace

• अम्बिका-अन्वितम् (ambikā-anvitam): attended by/with Ambikā (Pārvatī)

• विनायकम् (vināyakam): Vināyaka (Gaṇeśa)

• तथा (tathā): likewise

• स्कन्दम् (skandam): Skanda (Kārttikeya)

• ज्येष्ठम् (jyeṣṭham): Jyeṣṭhā (the elder/Alakṣmī deity)

• दुर्गाम् (durgām): Durgā

• सु-शोभनाम् (su-śobhanām): very beautiful, splendid.

Speaker

Suta Goswami (narrating to the sages of Naimisharanya; describing a divine vision within the narrative)

Characters & Entities

• Ganga
• Ambika (Parvati)
• Vinayaka (Ganesha)
• Skanda (Kartikeya)
• Jyeshtha
• Durga
• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It frames Śiva as Pati (the Lord of all), surrounded by His śaktis and divine attendants; in Liṅga-pūjā this supports worship of the Liṅga as the one reality from whom these powers and forms radiate and by whom they are governed.

How does this verse describe the nature of Shiva (Shiva-tattva)?

Śiva-tattva is shown as sovereign and complete: the transcendent Lord who also manifests immanently as family, śakti, and protective powers—guiding paśus (souls) beyond pāśa (bondage) through His grace.

What ritualistic or Yogic practice is highlighted here?

A dhyāna (contemplative visualization) practice is implied—meditating on Śiva with Gaṅgā and Ambikā and His retinue—used in Śaiva pūjā and Pāśupata-oriented sādhana to steady the mind and orient it toward Pati.