अलिङ्ग-लिङ्ग-निरूपणं तथा प्राकृत-सृष्टिवर्णनम्
अवकाशस्ततो देव एकमात्रस्तु निष्कलः तन्मात्राद्भूतसर्गश् च विज्ञेयश् च परस्परम्
avakāśastato deva ekamātrastu niṣkalaḥ tanmātrādbhūtasargaś ca vijñeyaś ca parasparam
Luego, oh Deva, surge el espacio (ākāśa), de una sola medida sutil (tanmātra) y sin partes (niṣkala). De esa esencia sutil procede la manifestación de los elementos; así, la causa sutil y el efecto elemental han de comprenderse como mutuamente enlazados en la cadena de la creación.
Suta Goswami (narrating the cosmological sequence to the sages of Naimisharanya, drawing on the Purana’s inner creation-teaching tradition)
It frames creation as an ordered unfolding from subtle to gross, supporting Linga worship as contemplation of Shiva as both niṣkala (transcendent, partless) and the ground through which tattvas manifest—so the Linga becomes a focus for seeing the cause behind all effects.
By using niṣkala, it points to Shiva’s partless, transcendent reality (Pati) even while describing the emergence of ākāśa and the elements—implying Shiva remains untouched by change while the tattva-chain unfolds for the experience of pashu under pasha.
It implies tattva-vicāra (discriminative contemplation) used in Shaiva/Pashupata-oriented sadhana: meditating from gross elements back to their tanmātras and finally to the niṣkala principle, aligning inner worship (mānasa-pūjā) with metaphysical insight.