अघोरहृदयं हृद्यं वामगुह्यं सदाशिवम् सद्यः पादं महादेवं महाभोगीन्द्रभूषणम्
aghorahṛdayaṃ hṛdyaṃ vāmaguhyaṃ sadāśivam sadyaḥ pādaṃ mahādevaṃ mahābhogīndrabhūṣaṇam
Aghora es Su corazón—siempre auspicioso y amado; Vāma es Su misterio secreto interior—el propio Sadāśiva; y Sadyojāta son Sus pies—Mahādeva, adornado con los grandes señores de las serpientes como ornamentos.
Suta Goswami (narrating the Linga Purana to the sages of Naimisharanya, describing Shiva’s mantra-body/tattva)
It gives a contemplative map for Linga-upasana: worship is not only external (dravya-puja) but also internal (nyasa/dhyana), recognizing Shiva as the very heart, the hidden mystery, and the grounding feet—so the Pashu turns inward toward Pati.
Shiva is presented as Sadāśiva—the ever-auspicious supreme Pati—whose aspects (Aghora, Vāma, Sadyojāta) structure the devotee’s realization: the heart as grace-filled auspiciousness, the secret as transcendent depth, and the feet as the stable refuge that dissolves Pāśa (bondage).
Mantra-nyāsa and dhyāna aligned to Shiva’s aspects—placing Aghora in the heart, contemplating Vāma as the inner secret, and taking refuge in Sadyojāta as the feet—supporting Pāśupata-style inward worship alongside Linga-puja.