Īśvara-Gītā (continued): Twofold Yoga, Aṣṭāṅga Discipline, Pāśupata Meditation, and the Unity of Nārāyaṇa–Maheśvara
नारायणो ऽपि भगवांस्तापसं वेषमुत्तमम् / जग्राह योगिनः सर्वांस्त्यक्त्वा वै परमं वपुः
nārāyaṇo 'pi bhagavāṃstāpasaṃ veṣamuttamam / jagrāha yoginaḥ sarvāṃstyaktvā vai paramaṃ vapuḥ
Aun el Bhagavān Nārāyaṇa asumió el más excelso atuendo de asceta; renunciando a su forma suprema, adoptó ese modo por el bien de todos los yoguis.
Lord Kurma (Vishnu/Narayana) as the teacher of the Ishvara Gita (within the Kurma Purana’s dialogue framework)
Primary Rasa: shanta
Secondary Rasa: adbhuta
By showing Nārāyaṇa voluntarily “renouncing” His supreme form to adopt an ascetic mode, the verse implies the Supreme is not limited by form; forms are assumed for instruction and grace, while the essential reality remains transcendent.
The verse highlights tapas (austerity/discipline) as a yogic instrument: adopting the ascetic life as a model for yogins, consistent with Ishvara Gita themes where restraint, renunciation, and disciplined practice support realization.
In the Ishvara Gita’s synthesis, Vishnu (Nārāyaṇa) endorses ascetic-tapas ideals strongly associated with Shaiva/Pāśupata culture, signaling shared yogic dharma and a non-sectarian unity of spiritual means.