सामानि जगतीछन्दः स्तोमं सप्तदशं तथा वैरूपम् अतिरात्रं च पश्चिमाद् असृजन् मुखात्
sāmāni jagatīchandaḥ stomaṃ saptadaśaṃ tathā vairūpam atirātraṃ ca paścimād asṛjan mukhāt
From the western face, He brought forth the Sāman-chants, the Jagatī metre, the seventeenfold stoma, and also the Vairūpa and Atirātra rites—thus did sacred sound and sacrificial order arise from the Supreme Person’s own mouth.
Sage Parāśara (teaching Maitreya)
Speaker: Parasara
Topic: Completion of Vedic chant-forms and rites within creation
Teaching: Cosmological
Quality: revealing
Creation Stage: Secondary
Concept: Sacred chant and rite originate in the Supreme Person, so worship through sound is participation in the very fabric of creation.
Vedantic Theme: Dharma
Application: Integrate kīrtana/mantra-recitation (or mindful sacred reading) as a daily discipline, treating sound as a bridge to the divine.
Vishishtadvaita: Devotional sound (stotra/chant) is grounded in the Lord’s own manifestation; the means (upāya) is divinely given, not self-invented.
Vishnu Form: Narayana
Bhakti Type: Shanta
Jagat Karana: Yes
It presents Veda as emanating from the Supreme Person—sacred speech (śabda) is not human invention but a cosmic principle that establishes dharma and ritual order.
By listing specific chants, metres, and rites (Sāman, Jagatī, stoma types, Atirātra), Parāśara shows that yajña is a revealed system—its components arise as part of creation’s lawful arrangement.
Vishnu is implied as the supreme source from whom Veda and yajña proceed, reinforcing a Vaishnava view that cosmic governance and spiritual means (ritual and revelation) depend on Him.